A thrilling, satisfying and multilayered adventure story.

SAVIOR'S DAY

An ancient text contains a shattering truth in this apocalyptic thriller.

Winter’s (Someone Else’s Son, 2013) tense, tightly plotted novel opens with an exceptionally effective dramatic hook: Two men—one Christian, one Muslim—perch in hidden spots on rooftops above Jerusalem’s Western Wall, patiently waiting for an elaborate ceremony to start. It’s a ceremony that has the attention of the entire world, as the pope, the U.S. president, and the leaders of Israel and Palestine plan to handle an ancient biblical text, the Codex of Aleppo, in a symbolic gesture of peace. Jerusalem will then formally become an international protectorate under the jurisdiction of the United Nations, thus resolving territorial controversies that have plagued the region for centuries. Both gunmen, spurred by fanatical visions, are prepared to stop it from happening—even at the cost of their own lives. As Winter ratchets up the tension leading to the climactic moment, he switches abruptly to the story of Cardinal Arnold Ford, who witnesses a man getting shot on the steps of New York’s St. Patrick’s Cathedral; the man hands him a strange slip of paper before he dies. Ford, a craggy, magnetic, middle-aged black man, later meets the intriguing LeShana Thompkins, a New York police detective investigating the shooting. They both have hidden depths: The cardinal sees visions (one early scene in a confessional is particularly chilling), and the detective knows both the Hebrew language and the complicated history and significance of the Codex of Aleppo. As she relates this history to Ford, Winter interweaves chapters that richly evoke the various main characters’ pasts. The complicated plot resembles a pair of interlocking spirals, with Detective Thompkins’ revelations taking readers steadily further back in time and the gunmen’s parallel back stories bringing readers forward to the moment of the shooting. Winter’s command of his historical material is impressive, as is his skill at shaping his characters—particularly Ford and Thompkins, whose unfolding relationship is the best thing in the book. The textual mystery of the codex will please Dan Brown fans, and its execution is a significant step above that in The Da Vinci Code (2003).

A thrilling, satisfying and multilayered adventure story.

Pub Date: Sept. 3, 2013

ISBN: 978-1491705698

Page Count: 318

Publisher: iUniverse

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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