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THE SPELLBINDERS

An expansive, immersive look at Edward II.

Awards & Accolades

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Zanghellini (The Sexual Constitution of Political Authority, 2015) imagines the personal life and loves of English King Edward II in this work of historical fiction.

In 1308, 12-year-old Queen Isabella of France comes to England to marry its king, Edward II. However, on the night of the wedding, Edward—a decade her senior—assures her that he won’t consummate the marriage until she’s an adult. Isabella then meets the king’s best friend, Sir Piers Gaveston, Earl of Cornwall. The two men have a friendship that makes other nobles at the English court whisper. “My husband the King is always quite full of life, from what I can judge,” Isabella observes, “but never so much as when he’s with the Earl.” Edward met Piers, the dashing son of a Gascon banneret, when the former was only 15. He succeeded to the throne with Piers as his lover and closest adviser, although the relationship—and the power it grants Piers—draws the ire of Edward’s earls. They scheme to banish Piers, but when the king thwarts their wishes, they find a more permanent, and deadly, solution. In the aftermath of Piers’ murder, his memory—perhaps even his ghost—haunts Edward, who must find a way to rule a country that doesn’t understand him. Zanghellini writes in a deliberative, detailed prose style throughout that illuminates the historical record while also imbuing his characters with agency and urgency: “He didn’t try to explain to her that sinking to the bottom of the sea, clutching Piers to his heart, seemed far more desirable to him than any number of alternative fates likely to await them if Lancaster and the others had their way.” Although some readers may find the central relationship of the novel to be a bit too idealized, the author also creates a complex, engrossing character in Isabella, who serves to ground the narrative; her observations give readers a clear window into the life of an unusual medieval monarch. Overall, the book should please aficionados of historical fiction—particularly those who are interested in the things that history books usually leave out.

An expansive, immersive look at Edward II.

Pub Date: Nov. 18, 2018

ISBN: 978-1-59021-696-5

Page Count: 336

Publisher: Lethe Press

Review Posted Online: Jan. 11, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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