Provocative, curious, and noteworthy.



The heady history of a clandestine gay practice.

In this enthusiastic exploration of the “art” of gay cruising, Espinoza (The Five Acts of Diego León, 2013, etc.) provides a unique perspective on this furtive practice of coded signals and physical gestures geared toward spontaneous desire and availability. The author begins with the origins of cruising in early civilizations, when gay men began seeking each other out for covert dalliances unbeknownst to those around them. Its evolution continued as ancient Rome and Renaissance Florence embraced a sexual free-for-all atmosphere structured around the rules of dominant masculinity. Espinoza, a talented tour guide, describes the public toilets of 1700s London and frequently raided “Molly houses” as well as such 20th-century resources as Bob Damron’s Address Book, which served as “a gay yellow pages, a directory listing all the gay friendly bars and places strewn across the United States where men could meet and hook up.” The AIDS epidemic stifled some of the spirit of the defiant post-Stonewall brotherhood before online cruising, chat rooms, and mobile apps restored the passion and the practice. The author incorporates intriguing profiles of former cruisers into his research material, creating a narrative that puts human faces to a subject that may seem bizarre to some readers and captivating to others. Espinoza weaves into the historical material vivid recollections from his own coming-of-age as a closeted Mexican youth “navigating a culture that encouraged hypermasculinity and patriarchy.” Ultimately, cruising unleashed in the author a life-changing self-assurance. Espinoza’s research is richly referential, as he cites the Al Pacino film Cruising; the grisly agenda of serial killer Jeffrey Dahmer, who cruised bars and alleyways to locate his male victims; and George Michael and former senator Larry Craig, both busted in men’s bathrooms. Espinoza candidly inserts himself into this striking examination with memories of his own cruising adventures and segments of stimulating commentary on gay liberation and the tenets of stealthy sexuality.

Provocative, curious, and noteworthy.

Pub Date: June 4, 2019

ISBN: 978-1-944700-82-9

Page Count: 244

Publisher: Unnamed Press

Review Posted Online: April 22, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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