This novel intrigues and delights with an assured orchestration of historical research and imaginative flights.
Romance, mystery, history, and magical invention dance across centuries in an impressive debut novel.
Landragin layers historical fiction, metafiction, mystery, fantasy, myth, and romance in a way that might remind readers of such books as Cloud Atlas, Life After Life, The Time Traveler’s Wife—or even Dan Brown’s conspiracy-based adventures, albeit with more elegant prose. Its preface begins with a metafictional tease: “I didn’t write this book. I stole it.” The narrator sets forth the history of three manuscripts delivered to him for bookbinding by a wealthy client in contemporary Paris. Each novella has a different author/narrator, including two based on real people: There's a creepy story supposedly written by poet Charles Baudelaire, a World War II noir romance by critic/novelist Walter Benjamin, and a surrealistic memoir by someone described as “a kind of deathless enchantress.” The tales’ relation to one another, the preface narrator promises, will be revealed, whether we read the three in order or in the “Baroness sequence,” named for the manuscript’s ill-fated owner, which interlaces chapters from all three into one novel. “The Education of a Monster” is Baudelaire’s self-portrait of a colossally self-centered snob. His poetic reputation endures, however, in Benjamin's “City of Ghosts,” as the posh Baudelaire Society becomes the epicenter of a breathless mystery, playing out as the Nazis advance upon the city. “Tales of the Albatross” is the fantastic story that lies behind the other two, beginning with the arrival of the first Europeans on a remote island in Polynesia. Narrated by a young woman called Alula, its tragic love story is set in motion when a crossing, or rather two of them, occurs. Long practiced by the island’s people, the crossing is a spiritual exchange in which two carefully prepared individuals pass into each other’s bodies. But these crossings go terribly sideways, and Alula’s search for her beloved, Koahu, will take her through seven bodies and across two centuries, through the lives of a globe-circling sailor, a woman born enslaved on a Louisiana plantation, a terribly disfigured Belgian heiress, and a hypnotist-turned-psychologist, among others. In whatever order you read, Landragin carries off the whole handsomely written enterprise with panache.
This novel intrigues and delights with an assured orchestration of historical research and imaginative flights.Pub Date: July 28, 2020
ISBN: 978-1-250-25904-2
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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