A subtle literary success.

THE MEDIUM OF DESIRE

A love story set in Virginia and nestled at the intersection of art and everyday life. 

Brett Bale is a popular, successful painter based in Richmond. His work is known both for its esoteric characterizations of human emotion (which one studio owner calls “wild, archetypal and primitive”) and elementary appeal (“So few lines. So little paint”). He works on commission, selling to B-list clients through his broker, Salina. Meanwhile, Olivia Martin lives in New York City and works for the notorious hedge fund McCann & Co. Her job is all-consuming, and she’s spent the past four years rotting away in a cubicle, hunched over Excel spreadsheets and dealing with her misogynist boss, Matthew Weiss. When she presents a new algorithm to the company’s executives, Matthew expectedly takes the credit. Finally pushed to her limit, Olivia quits—forgetting that she was forced to sign a noncompete agreement that prohibits her from working for another hedge fund for six months. At a loss, she moves back to Richmond to live with her parents while she figures things out. As a way to expand on his artist brand—and following Salina’s advice—Brett decides to take on an apprentice, who turns out to be Olivia. Studying with the acclaimed Brett reawakens her love for art that she thought she’d lost. In the process, Brett and Olivia fall in love, though not without a long period of hovering, innocent flirtation and momentous internal dialogue. McGlothlin’s (The Piratization of Daniel Barnes, 2018) second novel is a careful study of the effect of a hermetic artistic practice as well as the impact of burning out at an overwhelmingly demanding job. Although some of the dialogue comes off as highfalutin, with its grandiose ruminations on art (“form is everything….The building we stand in is form, originally outlined in an architect’s blueprints….All for a specific purpose, to attain a desired effect”). However, the author creates highly believable characters amid the sobering realism. He compellingly depicts Brett and Olivia’s relationship, constantly questioning the role of art in everyday life, the function of the artist within society, and the place that love occupies in this process.

A subtle literary success.

Pub Date: July 1, 2018

ISBN: 978-0-9890488-9-7

Page Count: 256

Publisher: Mountainlion Press, LLC

Review Posted Online: May 9, 2018

Kirkus Reviews Issue: June 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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