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The Ugly

A bizarre but delightful sendup of illogical arguments.

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A Slovak tribal chief attends Harvard Law School in order to gain the skills to save his tribe in Boldizar’s debut satire.

Muzhduk the Ugli, the Fourth, the leader of a tribe in northeastern Siberia, triumphantly defends a challenge to his chieftainship by winning the Dull-Boulder Throw. But in order to solidify his leadership status, the 300-pound Slovak must climb a mountain that’s higher than those scaled by previous chiefs, including his father. Mount Baldhead in the Verkhoyansk Range appears to be ideal, but then a group of Americans shows up there, claiming that they’ve purchased it from the Russian government. Furthermore, an attorney with a law degree from Harvard University bamboozles Muzhduk and his father into signing over tribal land. Soon, Muzhduk is intent on applying to Harvard himself, seeing it as his metaphorical mountain; specifically, he wants to gain the proper vernacular to defeat the American lawyer at his own game. Despite a perfect LSAT score, he has trouble gaining admittance to the school, but he ultimately takes the place of another student, Peggy Roundtree, who gave up her spot. A concurrent plotline follows Muzhduk in Mali, a year or so later, searching for Peggy. It appears that some governments in Africa have declared Peggy a terrorist, and after rebels kidnap her, Muzhduk seeks to help her with his newfound weapon of words. Boldizar’s lampoons of legal arguments are largely successful even if the frequent classroom discussions don’t always make sense. For example, Muzhduk makes a point about a well-known 1994 lawsuit against McDonald’s by contrasting buying hot coffee with slavery. It is, however, amusing to watch a man who’s accustomed to settling disputes physically engage in a “word-throwing battle.” The novel’s humor carries into its occasional surreal moments, such as Muzhduk’s interactions with a small, blue-furred, and possibly imaginary bear named Pooh (which the Slovak says might be a possible copyright violation). The scenes set in Mali are often tense, as the rebels feel like a genuine threat. Translated Slovak curses are sometimes offensive but consistently hilarious, such as “May your mother recognize you in kebab meat.”

A bizarre but delightful sendup of illogical arguments.

Pub Date: Sept. 7, 2016

ISBN: 978-1-936767-47-2

Page Count: 372

Publisher: Brooklyn Arts Press

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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