A bizarre but delightful sendup of illogical arguments.
A Slovak tribal chief attends Harvard Law School in order to gain the skills to save his tribe in Boldizar’s debut satire.
Muzhduk the Ugli, the Fourth, the leader of a tribe in northeastern Siberia, triumphantly defends a challenge to his chieftainship by winning the Dull-Boulder Throw. But in order to solidify his leadership status, the 300-pound Slovak must climb a mountain that’s higher than those scaled by previous chiefs, including his father. Mount Baldhead in the Verkhoyansk Range appears to be ideal, but then a group of Americans shows up there, claiming that they’ve purchased it from the Russian government. Furthermore, an attorney with a law degree from Harvard University bamboozles Muzhduk and his father into signing over tribal land. Soon, Muzhduk is intent on applying to Harvard himself, seeing it as his metaphorical mountain; specifically, he wants to gain the proper vernacular to defeat the American lawyer at his own game. Despite a perfect LSAT score, he has trouble gaining admittance to the school, but he ultimately takes the place of another student, Peggy Roundtree, who gave up her spot. A concurrent plotline follows Muzhduk in Mali, a year or so later, searching for Peggy. It appears that some governments in Africa have declared Peggy a terrorist, and after rebels kidnap her, Muzhduk seeks to help her with his newfound weapon of words. Boldizar’s lampoons of legal arguments are largely successful even if the frequent classroom discussions don’t always make sense. For example, Muzhduk makes a point about a well-known 1994 lawsuit against McDonald’s by contrasting buying hot coffee with slavery. It is, however, amusing to watch a man who’s accustomed to settling disputes physically engage in a “word-throwing battle.” The novel’s humor carries into its occasional surreal moments, such as Muzhduk’s interactions with a small, blue-furred, and possibly imaginary bear named Pooh (which the Slovak says might be a possible copyright violation). The scenes set in Mali are often tense, as the rebels feel like a genuine threat. Translated Slovak curses are sometimes offensive but consistently hilarious, such as “May your mother recognize you in kebab meat.”
A bizarre but delightful sendup of illogical arguments.Pub Date: Sept. 7, 2016
ISBN: 978-1-936767-47-2
Page Count: 372
Publisher: Brooklyn Arts Press
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
