Near-future exploration of war and dolphin/whale intelligence, from the author of a stunning debut, Carve the Sky (1991). In 2015, Colonel Ilya Stasov of the (forcibly) United Soviet Republics is researching dolphin intelligence at Uglegorsk station on Sakhalin. Furthermore, encouraged by the stories and ideas of mythologist Georgios Theodoros, Stasov believes that, 3500 years ago, the Minoans of Crete talked with dolphins. But why did they stop? (Dolphins, we learn eventually, were persecuted by the Greeks after Minoan civilization collapsed.) Using computer-produced sonic images, Stasov broadcasts to his dolphin experimental subjects a simulation of the Cretan seabed before the volcanic island Thera exploded and Minoan civilization fell. The dolphins, convinced by Stasov's images, begin to communicate. But then a non-nuclear war between Germany/Russia and Japan/US breaks out; Stasov's dolphins willingly become warriors of cyborgs in the struggle. At last, with Russia defeated, Stasov is taken prisoner by the Japanese. Meanwhile, attempts are being made to communicate with intelligent creatures in the atmosphere of Jupiter—a subject that the orcas, aggressive and natural leaders, seem to know all about. Released from prison, Stasov experiences a vision of a cyborg whale flying in the Jovian skies, and soon joins forces with American researcher Anna Calderone to work on the Jupiter project; they will be helped by a self-proclaimed dolphin Messiah, one of Stasov's wartime charges, whom Stasov can still control. A jumble of half-digested ideas, many stimulating, none displaying real insight. Jablokov's characters are sharply defined, but not a one possesses a particularly interesting or appealing personality; the general lack of plot or structure doesn't help. Disappointing.
Pub Date: Nov. 1, 1992
ISBN: 0-688-11113-0
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1992
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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