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THE EXPECTATIONS

Smart, shrewdly observed, and highly readable.

Prep school isn’t what it used to be, as Ben Weeks discovers during his first year at the elite St. James School.

Debut author Tilney deftly limns the unchanging eponymous expectations: that students will graduate to the Ivy League and real-world leadership; that while at St. James they will uphold such dubious traditions as ferocious competitiveness in sports and brutal hazing of new students. But Tilney also nails the changing social climate of the mid-1990s, when Ben arrives more than 125 years after the first Weeks attended St. James. There are female students now as well as students from such previously unheard-of places as Dubai, like Ben’s roommate, Ahmed. Ben eagerly looks forward to following in the footsteps of just-graduated older brother Teddy, legendary for his rule-breaking panache, and he’s also excited to join the school’s equally legendary squash team. So he’s mortified by Ahmed, whose clothes and accessories are too obviously expensive for the school’s ostentatiously modest ethos and who calmly walks out of the hazing ceremony, incurring the malice of a clique of upperclassmen determined to “hold the line” for “our kind.” They are the cool kids Ben is desperate to be accepted by, his insecurity exacerbated by the knowledge that his father is in financial trouble and hasn’t paid his tuition. He engages in some petty cruelty and stupid escapades, but he also feels grudging admiration for Ahmed’s ability to simply be himself. Tilney’s inexperience occasionally shows as he cogently traces Ben’s trajectory toward his own version of that self-assurance. The third-person narrative is mostly from Ben’s perspective but from time to time pulls back jarringly to tell us what another character is thinking or to offer an Olympian overview of the shifting social landscape. Despite such infelicities, the novel paints a compassionate portrait of a confused young man groping for maturity and comes to a trenchant conclusion about St. James: “The school’s ethics were a scrim over its animal need to survive. Just manners over its unforgiving appetite.”

Smart, shrewdly observed, and highly readable.

Pub Date: July 16, 2019

ISBN: 978-0-316-45037-9

Page Count: 320

Publisher: Little, Brown

Review Posted Online: May 1, 2019

Kirkus Reviews Issue: May 1, 2019

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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