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THE LAST CAVALIER

BEING THE ADVENTURES OF COUNT SAINTE-HERMINE IN THE AGE OF NAPOLEON

A big book, and a pleasure for anyone who thrills at the likes of D’Artagnan and company.

A hit from the vaults: Dumas père’s final work, reconstructed from 140-year-old newspapers.

Dumas is renowned, of course, for swashbuckling tales such as The Three Musketeers and The Count of Monte Cristo, studded with cliffhangers and moral lessons lightly delivered. This title is of a piece, the wrinkle being that Dumas wrote it, à la Dickens, as a newspaper serial and was far from finishing the story when he died. Dumas scholar Claude Schopp, whose literary detective work is responsible for this book, published in France in 2005, hazards missing links and provides the closing chapters, working from Dumas’s notes; it’s a neat bit of literary sleight-of-hand. While telling a grand tale of adventure, Dumas reminds his readers that the glorious France of the Napoleonic era had plenty of inglorious moments. His Napoleon is smart and power-hungry, as he announces in the opening sentence: “Now that we are in the Tuileries…we must try to stay.” Easier said than done, for Napoleon is surrounded by enemies, mostly of the scheming-politician variety, and distracted from his duties by his wife’s lavish spending; there are wars to fight, too, and much else to be done. Enter the noble Saint-Hermine, stripped of his title, who, chapter by chapter, hacks his way across land and sea to redeem himself at places such as Trafalgar, where Dumas movingly depicts the death of Lord Nelson and breaks the fourth wall in the bargain (“It seems to me that one of the greatest warriors the world has ever known should be accompanied all the way to death’s door, if not by a historian, at least by a novelist”). Hermine has his enemies, too, and even a few friends, and sometimes both at once, among them the only man whom Napoleon fears—ah, and therein hangs a tale.

A big book, and a pleasure for anyone who thrills at the likes of D’Artagnan and company.

Pub Date: Nov. 1, 2007

ISBN: 978-1-933648-31-6

Page Count: 752

Publisher: Pegasus

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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