by Alia Mamdouh & translated by Peter Theroux ‧ RELEASE DATE: July 1, 2005
A pungent, episodic glimpse of childhood in a patriarchal society: sometimes obscure but often intense and lyrical....
A strong-willed girl’s life in 1950s Baghdad, depicted by an award-winning Iraqi writer.
Mamdouh, winner of the 2004 Naguib Mahfouz Prize for Literature, employs shifts of narrative perspective and a sophisticated technique in this affectionate but critical dissection of her culture. Huda, at age nine, can play with boys and attend a mixed school. But the story evokes a society where the women cluster together indoors and are often subjected to cruelty and abuse by their menfolk. With the exception of her sensitive brother Adil, Huda lives her life almost exclusively among females: her mother Iqbal, her aunts and her grandmother. Her father, Jamil, a police officer, has been known to kick and slap her. He treats her mother, who suffers from tuberculosis, harshly too, eventually revealing he has married a younger woman who can give him more sons. Heartbroken and ill, Iqbal leaves the family home, to die elsewhere. Huda’s grandmother, the long-suffering heart of the tale, supports her grandchildren through their father’s neglect and mother’s death. But Huda’s resilient spirit is far from extinguished. Her rite of passage—she commences puberty during the course of the novel—is revealed in a sequence of elliptical scenes in which detailed reality alternates with a more heightened and imagistic prose. Politics remain in the background, with hints of demonstrations against the British. Meanwhile, Huda and Adil continue in their grandmother’s care, visiting the cemetery, traveling to Karbala to see their father where he works in the prison. Huda’s skepticism toward men is intensified by her aunt Farida’s callous treatment at the hands of her unpleasant new husband Munir. Farida, maddened, attacks and humiliates Munir. Jamil, however, has become increasingly subdued. Despite his happy involvement with his new family, his career is failing and the story ends in flames and disruption, with Huda and her relatives uprooted to a new home.
A pungent, episodic glimpse of childhood in a patriarchal society: sometimes obscure but often intense and lyrical. (Naphtalene is the author’s second novel, originally published in 1986 by an Egyptian press. It is also the first by an Iraqi woman to appear in the U.S.)Pub Date: July 1, 2005
ISBN: 1-55861-492-3
Page Count: 224
Publisher: Feminist Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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