by Alice Mattison ‧ RELEASE DATE: Aug. 7, 2018
Not easy but rewarding and certainly timely; Mattison’s complex prose matches the multidimensional moral arguments raging...
While exploring the deeply flawed yet enduring marriage of two Vietnam War–era activists now leading comfortable bourgeois lives in New Haven, Connecticut, Mattison (Nothing is Quite Forgotten in Brooklyn, 2008, etc.) also tackles broader issues, including the value of risk versus caution in the name of idealism.
After falling in love as zealous student anti-war protestors, editor and literary biographer Olive—who's white and an “intermittently and selectively observant” Jew—married African-American school principal Griff, a nonpracticing Christian. Their long marriage was interrupted by several years of separation, and while their relationship has more or less recovered, Olive chafes at Griff’s irritating presence while resenting his frequent absence. Now a new marital crisis arises when Olive is assigned to write an essay concerning a novel written years earlier by her sort-of friend Val, a bestseller Val openly based on a romanticized version of the life of Olive’s close friend Helen, whose radicalism led to violent tragedy. Meanwhile, Griff is elected president of the board of a local community service center and finds himself in conflict with Jean, who runs the center. Risk-averse Griff considers Jean too “casual about trouble” while she considers him “controlling” and overcautious—and both are right. Then Jean, with whom Olive has forged a friendship, reads Val’s novel, which Griff has long avoided finishing, and notices Griff’s resemblance to a late-appearing character who influences the Helen character’s decisions. Ironically, Olive considers Griff’s self-blame for the real harm he may or may not have caused an overweening intrusion into her grief over Helen. Olive and Griff’s struggles as youthful activists balancing the limits of liberalism against the excesses of radicalism as a cure for social ills interlace with Olive's and Jean’s current efforts to define themselves emotionally within an ethical context (Griff having done so long ago). Not to mention the question they raise about whether fiction must be accurate.
Not easy but rewarding and certainly timely; Mattison’s complex prose matches the multidimensional moral arguments raging inside her prickly, multidimensional characters.Pub Date: Aug. 7, 2018
ISBN: 978-1-68177-789-4
Page Count: 368
Publisher: Pegasus
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
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by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by George Orwell ; edited by Peter Davison
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