A touching story, both tough and tender.
A lively debut novel with a cheerfully cynical narrator, first published in Germany in 2008, from Russian-born Bronsky.
The focus of the narrative is the consciousness of Sascha Naimann, a 17-year-old émigré from Russia to Germany. She’s skeptical, witty, loving, intimidating, vulnerable—and understandably furious that her stepfather, Vadim, murdered her mother a few months before the story opens. What enrages her most is that he’s in prison and thus out of reach of her fury, but she nevertheless plots revenge with feverish intensity. Sascha is now more or less in charge of her two younger siblings, the precocious Anton and the adorable Alissa. They all live in the Emerald, a disjunctively named public-housing project that is scarcely the jewel of Berlin. After a breathless and almost admiring article about Vadim appears in a local rag, Sascha shows up at the editorial office to set the record straight. There she meets Volker, an older man she quickly becomes enamored with and seeks out as a refuge from her wretched life in the projects. When Volker takes Sascha home, she gets more than she bargained for because she also meets Volker’s son Felix, a weak and chronically ill teenager who in turn becomes smitten with Sascha. They both quickly lose their virginity, and later that same night Sascha is accosted by Volker. Although “nothing happens,” he’s ashamed of his behavior and still courts Sascha’s friendship. At one point Peter the Great invites Sascha to “Broken Glass Park,” a wooded area known as a place where sketchy characters smoke dope and do other dark deeds, but it also becomes a metaphor for the unassailably bleak landscape inhabited by the narrator. Sascha becomes infuriated when she learns that Vadim has supposedly repented for his crime and then hanged himself in his jail cell, but she also finds that this act liberates her into the possibility of a more positive existence, one not based on a desire for bloody vengeance.
A touching story, both tough and tender.Pub Date: April 1, 2010
ISBN: 978-1-933372-96-9
Page Count: 224
Publisher: Europa Editions
Review Posted Online: Sept. 21, 2010
Kirkus Reviews Issue: Feb. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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