Still, the crime subplot is hardly thrilling: sexy romance with a few welcome twists.
Rich-kid psychotherapist and tough New York cop flirt it up, each playing a role for the unwitting other.
Less concerned with embarrassing pratfalls for her neurotic heroines than many of her chick-lit sisters, Kwitney (Till the Fat Lady Sings, 1992, etc.) still wants them to find love, and not a little bit of sex. The single girl here is Marlowe, a Manhattan psychologist with divorced parents providing her with distant affection and a trust fund. Joe is the NYPD detective with more crime smarts than tact. He calls Marlowe by accident during his investigation of a murder (first of several) in which the victim was snuffed out apparently after calling an escort service; thinking that Marlowe is actually an escort, he tries to get information out of her. Bored with her life and thinking she’ll sex up Joe’s as-yet-unpublished dissertation on role-playing by providing him with some good firsthand experience, Marlowe plays along, quickly warming up to the role of the hooker who’s about to retire but wouldn’t mind one last assignment. Fortunately, one of her therapy clients is exactly that kind of escort, providing her with plenty of real know-how. Joe comes off as a pretty typical Manhattan male, attractive enough to get most any woman he wants. He knows how to get Marlowe into bed and keep her happily there, but he has a sharp temper and an emotional core buried deeper than even a psychologist would want to dig. The relationship is fitful, playful and exciting, then cold and hostile, swinging wildly about as each tries to figure out what game the other is playing, all the while trying to find the killer to boot. Kwitney deserves credit for not throwing out illogical roadblocks, and there’s a refreshing absence of stock best-friend characters.
Still, the crime subplot is hardly thrilling: sexy romance with a few welcome twists.Pub Date: July 1, 2004
ISBN: 0-06-053079-0
Page Count: 320
Publisher: Avon/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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