Entertaining if conventionally plotted crowd-pleaser.
A Miami singing sensation has a profound impact on the women who surround him.
Ricky Biscayne is the sexy center of his own female-centric universe in Valdes-Rodriguez’s gossipy third novel (after Playing with Boys, 2004, etc.). On the cusp of national stardom with the release of his first English-language album, Ricky has undeniable charisma and talent, not to mention a not-so-hidden dark side and burgeoning drug problem. His diverse entourage includes his pregnant wife Jasminka, a war-haunted Serbian supermodel hungry for family (and food, long denied her), and his glamorous secret lover Jill Sanchez, a Puerto Rican diva even more famous than he. There is also his devoted new publicist Milan, a naïve and chubby Cuban-American who lives with her parents and would do anything to protect her idol, and her more sophisticated sister Geneva, a Harvard MBA opening a trendy club that Ricky has invested in. Rounding out the group is Ricky’s long-lost high-school sweetheart Irene, a struggling, single-mother firefighter, who reappears in his life after her teenaged daughter, Sophia, figures out that Ricky might actually be her father. It is his cruel treatment of the girl, along with other bad behavior, that finally gets to Milan, who has herself been dallying with her boss. Disillusioned by seeing the true personality of the man she once worshipped, and feeling guilty over her role in covering up for Ricky, she decides to use her publicist’s gifts for good rather than evil, and enlists the others to help her. The elaborate plan culminates on the opening night of the club when the singer is forced to face the consequences of his actions. Meanwhile, the women manage to find romance, purpose and friendships away from the toxic Lothario. The deliciously bitchy exception is calculating Jill Sanchez, who will remind readers of a certain real-life actress/singer/perfume mogul.
Entertaining if conventionally plotted crowd-pleaser.Pub Date: May 1, 2006
ISBN: 0-312-34966-1
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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