Entertaining if conventionally plotted crowd-pleaser.
A Miami singing sensation has a profound impact on the women who surround him.
Ricky Biscayne is the sexy center of his own female-centric universe in Valdes-Rodriguez’s gossipy third novel (after Playing with Boys, 2004, etc.). On the cusp of national stardom with the release of his first English-language album, Ricky has undeniable charisma and talent, not to mention a not-so-hidden dark side and burgeoning drug problem. His diverse entourage includes his pregnant wife Jasminka, a war-haunted Serbian supermodel hungry for family (and food, long denied her), and his glamorous secret lover Jill Sanchez, a Puerto Rican diva even more famous than he. There is also his devoted new publicist Milan, a naïve and chubby Cuban-American who lives with her parents and would do anything to protect her idol, and her more sophisticated sister Geneva, a Harvard MBA opening a trendy club that Ricky has invested in. Rounding out the group is Ricky’s long-lost high-school sweetheart Irene, a struggling, single-mother firefighter, who reappears in his life after her teenaged daughter, Sophia, figures out that Ricky might actually be her father. It is his cruel treatment of the girl, along with other bad behavior, that finally gets to Milan, who has herself been dallying with her boss. Disillusioned by seeing the true personality of the man she once worshipped, and feeling guilty over her role in covering up for Ricky, she decides to use her publicist’s gifts for good rather than evil, and enlists the others to help her. The elaborate plan culminates on the opening night of the club when the singer is forced to face the consequences of his actions. Meanwhile, the women manage to find romance, purpose and friendships away from the toxic Lothario. The deliciously bitchy exception is calculating Jill Sanchez, who will remind readers of a certain real-life actress/singer/perfume mogul.
Entertaining if conventionally plotted crowd-pleaser.Pub Date: May 1, 2006
ISBN: 0-312-34966-1
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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