McGhee is a gifted writer, but clever word play and a plethora of pointed metaphors are not enough to bring her fictional...
A wheelchair–bound teenager learns to survive the damage he’s suffered, emotional as well as physical, in this slight but highly wrought story from McGhee (Was It Beautiful?, 2003, etc.).
While his father sleeps or drinks, 16-year-old paraplegic Joseph spends his days working at a bakery/café with 17-year-old Zap, the owner’s son. Zap's Pied Piper charisma works on all the customers but Enzo, a nine-year-old girl who appears to have nothing to do all day but hang out at the bakery and bicker with Zap, to whom she directs an intense sibling love-hate. Zap, who gives nicknames to everyone, calls Joseph “Flying Joseph” and tells Enzo that Joseph is a hero. Enzo, who calls herself Mighty Thor, desperately wants Joseph to be more, a superhero with superhuman healing powers. Joseph denies any heroism in himself. He also refuses to discuss how he ended up in a wheelchair and why he has left his mother in Utica, N.Y., to live in Minneapolis with his father, a functional alcoholic who works nights as the oven man at the bakery. The story of Joseph’s accident gradually takes shape. When his father left a year earlier, Joseph had to take care of his increasingly unbalanced mother. He had no room for friends or a life of his own. In a moment of derangement, his mother broke his spine by inadvertently knocking him from the top steps of a sliding board into a cement wading pool filled only with fresh snow. In the romanticized, claustrophobic world of Joseph, Zap and Enzo, adults are generally absent and/or untrustworthy, so children must look after each other. The jarring contradiction is that Joseph’s great sorrow is the loss of his mother, who now resides in a mental hospital.
McGhee is a gifted writer, but clever word play and a plethora of pointed metaphors are not enough to bring her fictional world to life.Pub Date: March 1, 2007
ISBN: 0-312-42592-9
Page Count: 208
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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