A richly detailed rendering of the familiar Tudor drama.
A notorious Tudor queen is sympathetically imagined.
Weir (Katherine of Aragon, 2016, etc.), prolific Tudor historian, biographer, and novelist, offers the second volume in her fictional series about Henry VIII’s six wives, focusing on the outspoken, doomed Anne Boleyn. Anne is certainly the most famous of those unfortunate women and, as Weir admits in an afterword, the least knowable. While Katherine of Aragon left abundant letters, Anne did not, and testimony about her comes mainly from an ambassador to the court who was hostile to her. Weir brings considerable expertise to her portrait of Anne as “a flawed but very human heroine, a woman of great ambition, idealism and courage.” Because Anne spent formative years at the French court, where feminist ideas were debated, Weir chooses to see her as an early feminist, repulsed by the widespread incidence of rape in the royal courts of France and England. Henry raped Anne’s married sister, Mary, who continued an affair with him, ending up pregnant and cast aside; and even Anne’s beloved brother George confessed, to her shock and disgust, that he “forced widows and deflowered maidens,” inflamed by uncontrollable lust. Weir vividly depicts court life: the hundreds of attendants, the sumptuous pageants and celebrations, and Anne’s amazing gowns and jewels. She reprises the plight of Katherine of Aragon and her daughter, Mary, both of whom Anne fervently wished dead; and she gives ample evidence for England’s resentment of Anne, in and out of court. Despite Weir’s well-informed portrayal of her cast of characters, the novel suffers from its focus on Henry’s machinations to dissolve his marriage to Katherine, a process that took six long years of “unbearably frustrating” and nearly intolerable delays, marked by skirmishes, controversies, and conversations that become repetitive. After the pair are married, Weir deals sensitively with Anne’s increasing desperation as she fails to produce a living son and witnesses the king’s blatant philandering. The plot intensifies once Anne is accused of adultery and treason, culminating in a truly shocking and emotional execution scene.
A richly detailed rendering of the familiar Tudor drama.Pub Date: May 16, 2017
ISBN: 978-1-101-96651-8
Page Count: 560
Publisher: Ballantine
Review Posted Online: April 1, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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