Slight but not unrewarding, this memoir of a feminist's midlife retreat toward nature and spirituality escapes solipsism by virtue of its terse writing and agreeable epiphanies. Shulman, best known for the novel Memoirs of an Ex-Prom Queen (1972), centers her narrative on a small house on an island beach in Maine, a cabin she affectionately calls ``the nubble.'' Living there, she strips her life down to the essentials, subsisting on shellfish, wild plants, and the eponymous rainwater, getting perspective on the mad rush of cosmopolitan life. Shulman threatens to make more of her time at the nubble than it warrants: In the absence of tangible links to the events at hand, repeated invocations of her erstwhile participation in the protest and women's movements seem little more than shallow posturing; and on a more mundane level, it hardly seems a revelation that her rural sojourn should cure her of nail-biting. Still, the experiences she shares prove rewarding enough; her story is affecting in spite of her own excessive claims for it. Limpid prose enables Shulman to fashion satisfying episodes from raw material ranging from the preparation of seaweed for the table to the visits of an old friend. Away from the nubble, we follow the author over the course of a decade or so as she divorces, moves to Colorado to take a teaching post, and travels to Europe. Again, her attempts to develop an environmentalist theme fall short, and she doesn't manage to make her workaday writer's life seem real on the page. But friends and family are rounded characters, and her eye for the resonant detail creates scenes that will appeal to her peers. Inconsequentiality seems to be the point here—as readers marooning themselves at their own summer havens will perhaps best understand.
Pub Date: April 1, 1995
ISBN: 0-374-14403-6
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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