Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THIS THING OF DARKNESS

A dark but entertaining novel for Shakespeare diehards and casual fans alike.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In Batchelder’s novel, William Shakespeare fakes his death and settles in Jamestown among hostile neighbors and a night-prowling beast.

Bored with retired, domestic life in Stratford, William Shakespeare decides to fake his own death and set out for the New World under a new name. Accompanying the newly minted William Kemp is his Black illegitimate son, Xander, who was entrusted to William’s care by his dying mother. While at sea, William befriends Margaret, a man living as a woman. The unlikely trio move into a house on the outskirts of Jamestown; they discover the house was left vacant after the previous owners were killed by a mysterious beast. The locals prove to be unfriendly, prejudiced against Margaret and Xander, and unwilling to help hunt down the mysterious creature, even as it claims more victims. Left to his own devices, William finds that he’s willing to go to any lengths to protect his newfound family. Lovers of Shakespeare and his contemporaries will find plenty of Easter eggs sprinkled throughout the story (readers are given about half the book to piece together clues about Will Kemp’s original identity before the name Shakespeare is thrown out haphazardly in a flashback scene). What seems like a setup for a rollicking adventure is ultimately revealed to be a melancholy rumination on family, society, outcasts, and the things worth valuing in life. Glimpses of Shakespeare’s trademark wit, along with a satisfying ending, keep the story from getting too grim. Any fictional depiction of Shakespeare faces the challenge of living up to the original’s facility with words. This story succeeds at the task without trying too hard to be clever: “‘I have a magnificent beast. But you have not, and a searching party can only travel at the speed of its slowest member.’ ‘Marry, sir, I know not which is worse, that you do think me slow, or worse, a ‘member.’’”

A dark but entertaining novel for Shakespeare diehards and casual fans alike.

Pub Date: May 3, 2022

ISBN: 9781637898277

Page Count: 224

Publisher: Macabre Ink

Review Posted Online: Nov. 8, 2023

Kirkus Reviews Issue: Jan. 1, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 232


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 232


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 197


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 197


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview