Like an exquisitely baked apple cake, Goodman’s delicious and deeply perceptive novel is something to savor.
Goodman offers an unsparingly frank, wryly funny take on a multigenerational American family.
Almost exactly one year after the publication of Goodman’s wonderful work of historical fiction, Isola, the author returns with a very different novel—yet one that is no less insightful, enthralling, and eminently enjoyable to read. This time, Goodman trains her gimlet eye on the complicated relationships among the members of the fictional Rubinstein family—and finds both humor and pathos in a modern Jewish American clan. In the first chapter, three generations congregate around the deathbed of Jeanne, who at age 74 is the youngest of the three Rubinstein sisters and yet, if she’ll ever release her iron grip on life, will be the first to die. The scene, in which Jeanne’s sons, daughters-in-law, and grandchildren; elder sisters Sylvia and Helen; and nieces and nephews gather to fuss and wait, might lend itself to sentimentality. Not in Goodman’s hands. By the end of the chapter, a squabble over an apple cake has blown up the relationship between Sylvia and Helen. The sisters are determined never to speak again. “That was the end,” Goodman writes. And yet it’s just the beginning of a novel that chronicles marriages and divorces, bat mitzvahs and ballet recitals, holidays and funerals, and finds within milestone events and quotidian moments the meaning—and madness—of family. As Goodman recounts the Rubinsteins’ sibling conflicts, grievances, and grudges, their parenting triumphs and failures, and the many ways they all love and infuriate, push away and yet crave to connect with one another, she holds up a mirror to us all. This Is Not About Us could have been called This Is All About Us or, perhaps, This Is About All of Us.
Like an exquisitely baked apple cake, Goodman’s delicious and deeply perceptive novel is something to savor.Pub Date: Feb. 10, 2026
ISBN: 9780593447840
Page Count: 336
Publisher: Dial Press
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
PERSPECTIVES
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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