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WHERE I’M BOUND

One wishes Ballard Godspeed in his wisely chosen new career. This is a fine beginning to it.

The experiences of black soldiers during the Civil War, and the ordeal of a family victimized and fragmented by slavery, are the subjects in this well-researched and solidly written debut novel, by a respected teacher and historian (One More Day’s Journey, not reviewed, etc.).

As the War draws to its close, runaway slave Joe Duckett escapes from a Confederate prison camp and joins the Union Army as a scout, then is soon made sergeant in a Colored Cavalry troop. Meanwhile (and in parallel chapters throughout), Joe’s wife Zenobia, left behind on the Kenworthy plantation in Mississippi, plans to escape to freedom with her youngest children (the two eldest having been sold to another owner), aided by black field-boss Drayton, who not-so-secretly loves her. Ballard leans rather too heavily on melodramatic coincidence: people who in real life doubtless would never have seen one another again manage to keep meeting on various estates and battlefields (the most egregious such examples are Joe’s chance reunion with his oldest son Luke and his man-to-man combat with Colonel Richard Kenworthy). But the story is swiftly paced and filled with vivid incidents, many of which, as an Author’s Note explains, are indeed historical: the court-martial aboard ship (a steamboat carrying cotton to Vicksburg) of a racist civilian who had interfered with a black soldier on sentry duty; Zenobia’s flight by raft in pursuit of a Yankee boat, and her capture by “deserters and irregulars”; and a horrific scene in which the Union Army unleashes maddened bloodhounds against its foe. The narrative is further distinguished by crisp, credible dialogue and scrupulously fair and fascinating portrayals of the wide spectrum of relationships—many of them genuinely loving ones—between embattled, indignant Southerners and “their” blacks. And you won’t soon forget the haunting final scene.

One wishes Ballard Godspeed in his wisely chosen new career. This is a fine beginning to it.

Pub Date: Oct. 5, 2000

ISBN: 0-684-87031-2

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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