One wishes Ballard Godspeed in his wisely chosen new career. This is a fine beginning to it.

WHERE I’M BOUND

The experiences of black soldiers during the Civil War, and the ordeal of a family victimized and fragmented by slavery, are the subjects in this well-researched and solidly written debut novel, by a respected teacher and historian (One More Day’s Journey, not reviewed, etc.).

As the War draws to its close, runaway slave Joe Duckett escapes from a Confederate prison camp and joins the Union Army as a scout, then is soon made sergeant in a Colored Cavalry troop. Meanwhile (and in parallel chapters throughout), Joe’s wife Zenobia, left behind on the Kenworthy plantation in Mississippi, plans to escape to freedom with her youngest children (the two eldest having been sold to another owner), aided by black field-boss Drayton, who not-so-secretly loves her. Ballard leans rather too heavily on melodramatic coincidence: people who in real life doubtless would never have seen one another again manage to keep meeting on various estates and battlefields (the most egregious such examples are Joe’s chance reunion with his oldest son Luke and his man-to-man combat with Colonel Richard Kenworthy). But the story is swiftly paced and filled with vivid incidents, many of which, as an Author’s Note explains, are indeed historical: the court-martial aboard ship (a steamboat carrying cotton to Vicksburg) of a racist civilian who had interfered with a black soldier on sentry duty; Zenobia’s flight by raft in pursuit of a Yankee boat, and her capture by “deserters and irregulars”; and a horrific scene in which the Union Army unleashes maddened bloodhounds against its foe. The narrative is further distinguished by crisp, credible dialogue and scrupulously fair and fascinating portrayals of the wide spectrum of relationships—many of them genuinely loving ones—between embattled, indignant Southerners and “their” blacks. And you won’t soon forget the haunting final scene.

One wishes Ballard Godspeed in his wisely chosen new career. This is a fine beginning to it.

Pub Date: Oct. 5, 2000

ISBN: 0-684-87031-2

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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