Drury (What Price Glory?, 1990, etc.) returns with a novel as didactic as a '60s Pravdaall about limp foreign policy and the wane of US status and influence at century's end. The kingdoms of Greater and Lesser LolÛm are your basic hellholes, both ruled by tribal despots. The Lesser has oil, and so naturally the Greater, ruled by Sidi bin Sidi bin Sidi, a leader with all the endearing qualities of Qaddafi, Hussein, and Idi Amin, has designs on it. Moreover, Sidi has been given atomic weapons by an unnamed troublemaker. A slippery, ironic US president, a patrician, honorable, secretary of state, a feisty (black) assistant secretary, plus a trio of practically pacifist talk-show hosts are the main characters, abetted by gelded military chiefs. News of Sidi's new toys reaches the State Department, and the president telephones Sidi to warn him against adventurism. Sidi is defiant, of course, and follows up by having a brave, young CIA agent killed and then delivered to the embassy in a bag. Meanwhile, the president dithers, the secretary calls for measured diplomacy, the assistant calls for a strong condemnation, the UN obfuscates, the Joint Chiefs quail, the media rail, and Sidi plays them all like a violin because American opinion polls are against foreign entanglements and no recent president has had the courage to do what's right rather than what's popular. Eventually, a resolution of conflicting eventsand potential eventswill be arrived at, of a kind that will be taken differently by different readers, while, at very end, a sinister tramp-ship carrying more than meets the eye will come into dock in New York harbor. The plot resonates with recent events in the Middle East and with America's loss of will and increased vulnerability to atomic blackmaila valid topic for a political novelbut Drury's cardboard characters and continuous bombast make for hard going.
Pub Date: Sept. 1, 1995
ISBN: 0-684-80702-5
Page Count: 384
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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