A basketball superstar nicknamed “the Answer” ducks no tough questions in this revealing self-portrait.
Beating a wrongful conviction and becoming a hardwood great.
Iverson isn’t the first athlete to complain that the public doesn’t get him, but few have stated their case so compellingly. This is a frank, powerful memoir of injustice, loss, and resilience. The sub-6-footer led the Philadelphia 76ers to the 2001 NBA Finals, showcasing highlight-reel skills and becoming the “smallest MVP in league history.” But first came tremendous adversity. As a teen in Virginia, he was convicted of felonies after a brawl and served several months in prison. An appeals court overturned his conviction, but paternalistic columnists and opposing teams’ fans—some of whom chanted “Jailbird!” when he played for Georgetown University—wouldn’t move on. Later, the cornrows and baggy shorts that made him a 1990s “fashion icon” fueled judgmental press coverage of the NBA’s “younger generation: thugs, gangsters, with me as the headliner.” Some of his tattoos and earrings were “airbrushed out” when he made the cover of a league magazine. Along with interesting anecdotes about celebrated coaches and memorable games, Iverson poignantly revisits his most trying moments. When he was a grade-schooler, his mother had to choose between keeping the electricity on and buying him sneakers—“she got me my kicks.” An accidental shooting in his boyhood home left a man seriously injured. When reporters impugned Iverson’s professionalism for missing a 76ers practice, few people realized he was grieving his best friend’s recent murder. He’s charmingly humble about acquiring new skills, describing how he learned his formidable crossover dribble from a Georgetown second-stringer. And there’s relatable vulnerability in the biggest “whiplash of my life”: Elated about winning the NBA Rookie of the Year award, the next day he was “nervous as a motherfucker” while testifying as “the man who raised me” faced criminal charges.
A basketball superstar nicknamed “the Answer” ducks no tough questions in this revealing self-portrait.Pub Date: Oct. 7, 2025
ISBN: 9781476784397
Page Count: 352
Publisher: 13A/Simon & Schuster
Review Posted Online: Aug. 13, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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