O’Malley’s voice resonates with reclaimed power in this must-read survivor’s memoir.
In this memoir, O’Malley discusses escaping intimate partner violence and finding her voice.
The author became engaged to a man named Sam at 17 years old with her “mother’s full support,” she recalls. When she tried to cut ties, Sam’s first manipulative suicide attempt convinced her that she was “responsible for him, for his life.” By the age of 19, she married him, solidifying Sam’s hold upon her. “Instead of listening to my gut, I forced myself into the church—knowing that I was sacrificing myself. That moment, that choice, lodged in my psyche as trauma.” O’Malley fell into a cycle of coercive control, sexual violence, and abuse. The marriage, at first characterized by unpredictable insecurities and subtle sabotage, devolved into incidents of horrific violence, leading her to leave and seek a temporary protection order. In clear, matter-of-fact prose, the author emphasizes recognizable patterns of intimate partner violence and the need to support women who are attempting similar transformative changes. After her own successful recovery process, O’Malley realized that social services rarely address the gap between the initial rescue from domestic abuse and the therapeutic intervention needed to thrive post-abuse; this reality eventually informed her own nonprofit work with survivors. The author’s relatable narrative voice intersperses key educational moments with recollections of personal experiences, making convincing connections to wider societal problems (she writes that “29% of women will experience physical or sexual violence at the hands of an intimate partner in their lifetime”). O’Malley helpfully explains why so much abuse goes unreported and laments the difficulty of securing personal safety and divorce in a judicial system that rarely addresses psychological trauma. “My entire adult life had been built around Sam—not just financially, but psychologically. I didn’t know who I was without him,” she writes. “Coercive control is an insidious, devastating form of abuse—prevalent, yet largely unaddressed in U.S. law and policy.” This well-sourced work offers important facts, useful bibliographic resources, and penetrating psychological insights.
O’Malley’s voice resonates with reclaimed power in this must-read survivor’s memoir.Pub Date: June 23, 2026
ISBN: 9781971718347
Page Count: 294
Publisher: Ripples Media
Review Posted Online: June 17, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Review Program: Kirkus Indie
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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