From the upper echelons of working mothers, a fictional answer to The Nanny Diaries—and likely to be as popular.

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I DON’T KNOW HOW SHE DOES IT

THE LIFE OF KATE REDDY, WORKING MOTHER

An above-average addition to the crowded genre of working-mother-angst novels, a first from British journalist Pearson, the mate of New Yorker film critic Anthony Lane.

Written largely as diary entries by London career woman and mother Kate Reddy, the tale begins at 1:37 one morning as Kate, disdainful of stay-at-home moms but intimidated by their homemaking skills, alters store-bought pies to pass off as homemade at her daughter’s school the next day. Kate, whose high-powered job as a funds manager requires long hours and lots of travel abroad, rarely sleeps, but for all her manic activity she spends little time with the children she claims to adore. Readers may feel less than sympathetic with her complaints about husband Richard, a mild-mannered architect actively involved with the children, or about her nanny who doesn’t always follow Kate’s strict rules, mostly set in absentia, concerning the kids’ nutrition. Kate’s major crises are about finding cabs to the airport and keeping up with the men in her firm. Though she’s filled with guilt and self-pity about lack of involvement with her children, she seems to spend most of her free time writing cutesy e-mails to her friends, who are also career women, and splurging on shoes. Then her life begins to spin out of control. She almost has an affair with a client; her boss’s wife, a truly good woman, dies of cancer; Richard gets fed up and moves out; she smokes dope with her cab driver, who turns out to be a philosophy student. She finds her priorities shifting. The clever cattiness of the early chapters gives way to an earnest, endearing introspection that makes it possible for Kate to strike a more satisfying, if almost too-perfect-to-believe, balance between family and work.

From the upper echelons of working mothers, a fictional answer to The Nanny Diaries—and likely to be as popular.

Pub Date: Oct. 1, 2002

ISBN: 0-375-41405-3

Page Count: 340

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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