Still, with only minor flaws, it is a collection both interesting and educational, offering Latino children positive...

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YES! WE ARE LATINOS!

A poetic celebration of the diversity found among Latinos.

Each poem in this collection of 13 vignettes is a glimpse into the life of a Latino child living in the United States. Ada and Campoy do a commendable job of creating a nuanced, realistic reflection of the many-faceted Latino experience, including characters from a variety of ethnic, religious, language and racial backgrounds. It may be unclear to readers what rendering them in poetry adds to these tales, but they are nonetheless successful stories. An informational piece follows each poem that—while sometimes slightly didactic—expands on the social and historical context with honesty and depth. (One exception is “Deep African Roots,” which, while an otherwise good piece, puzzlingly neglects to explore the unique history of blacks in Panama, though the preceding poem is about a black Panamanian boy.) Diaz’s signature black-and-white cut-paper art decorates the collection and is especially noteworthy in its reflection of the themes in the informational pieces. Would that the authors had shared why they included Spaniards as Latinos when whether or not Spaniards consider themselves Latinos appears to be up for debate.

Still, with only minor flaws, it is a collection both interesting and educational, offering Latino children positive representations of themselves and teaching non-Latino children about the richness and breadth of the Latino experience . (acknowledgements, bibliography, additional resources, index) (Poetry. 10 & up)

Pub Date: Aug. 1, 2013

ISBN: 978-1-58089-383-1

Page Count: 96

Publisher: Charlesbridge

Review Posted Online: June 26, 2013

Kirkus Reviews Issue: July 15, 2013

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THE ARABIAN NIGHTS

In a large, handsome format, Tarnowska offers six tales plus an abbreviated version of the frame story, retold in formal but contemporary language and sandwiched between a note on the Nights’ place in her childhood in Lebanon and a page of glossary and source notes. Rather than preserve the traditional embedded structure and cliffhanger cutoffs, she keeps each story discrete and tones down the sex and violence. This structure begs the question of why Shahriyar lets Shahrazade [sic] live if she tells each evening’s tale complete, but it serves to simplify the reading for those who want just one tale at a time. Only the opener, “Aladdin and the Wonderful Lamp,” is likely to be familiar to young readers; in others a prince learns to control a flying “Ebony Horse” by “twiddling” its ears, contending djinn argue whether “Prince Kamar el Zaman [or] Princess Boudour” is the more beautiful (the prince wins) and in a Cinderella tale a “Diamond Anklet” subs for the glass slipper. Hénaff’s stylized scenes of domed cityscapes and turbaned figures add properly whimsical visual notes to this short but animated gathering. (Folktales. 10-12)

 

Pub Date: Dec. 1, 2010

ISBN: 978-1-84686-122-2

Page Count: 128

Publisher: Barefoot

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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A vivid mix of local color and tongue-in-cheek wit, albeit with loud sour notes.

HALF THE LIES YOU TELL ARE NOT TRUE

From a Labrador native, homespun “recitations” in equally homespun rhyme.

Written for oral performance (most are available as recordings) and easy to read aloud despite plenty of regional jargon, these 13 original yarns feature big dollops of wry humor. There’s fog thick enough to eat (“Mother used to dice it with pork fat and onions, / Or she’d mix it with mustard as a poultice for bunions”); the horrific consequences of trying to unclog a septic tank using a pump fitted with an old boat motor; and the experiences of a “Man of La Manche,” who is abducted not by aliens but Capt. Kirk, attempting to beam a moose up to the Enterprise. Recurring characters include 90-year-old “Super Nan,” who vanquishes a bullying polar bear at Bingo, and Uncle Jim Buckle. Paddon trips hard over the edges of good taste in “Berries,” a violent tale of a berry-picking war during which Jim takes a second wife, “a woman best described as Atilla the Hen,” after his first is killed by a land mine—but even that one comes to an uproarious climax, followed by an amicable resolution: “I guess blood’s…even thicker than jam.” It’s hard to tell from the small, roughly drawn figures in Major’s appropriately sober vignettes, but the (human) cast is likely all white. The glossary is extensive and essential for readers outside of Newfoundland and Labrador.

A vivid mix of local color and tongue-in-cheek wit, albeit with loud sour notes. (Verse tales. 11-15)

Pub Date: March 1, 2018

ISBN: 978-1-927917-15-2

Page Count: 88

Publisher: Running the Goat

Review Posted Online: Feb. 4, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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