by Alston Chase ‧ RELEASE DATE: March 1, 2003
Worthy examination of our “smartest” serial killer.
Sprawling cultural history attempts to link the Unabomber’s crimes to his educational background.
“What effects did Harvard have on [Ted] Kaczynski?” asks environmentalist Chase (In a Dark Wood, 1995, etc.), who, like his subject, attended Harvard in the 1950s, felt alienated from the institution during tumultuous times, and later sought solitude in rural Montana. The author focuses on Kaczynski’s undergraduate participation in an “ethically questionable” psychological experiment conducted by renowned behavioral expert Henry Murray during the last years of his covert Cold War research. To Chase, Murray epitomizes the postwar science establishment in his collusion with the federal government on morally compromised projects such as the CIA’s notorious hallucinogen tests, which drew on Murray’s personality theories. The author sees the young Kaczynski—smart, socially maladjusted, in flight from an oppressive family life—as an embodiment of the ’50s “Silent Generation,” seething with rage beneath a conformist veneer. Chase argues that Kaczynski’s part in Murray’s experiment, which by most accounts involved extensive verbal abuse and trickery, may have provoked his eventual homicidal obsessions. Thanks to his unfortunate Harvard experiences (grinds like Kaczynski were ostracized by the preppy students) and the ’50s “culture of despair,” which directly informed his Unabomber “manifesto,” Kaczynski was radicalized well before his graduate study at Berkeley in the late ’60s, asserts the author. Indeed, he already planned to move somewhere rural and begin a campaign of vengeance. Chase is a solid if sometimes dour writer, and does thorough work here, including actual correspondence with the cantankerous Kaczynski. Readers of his previous, highly controversial environmental writings will not be surprised by his contention that, although mainstream academia shunned Kaczynski’s manifesto, its ideas actually presage the coming of a new generation of eco-radicals. While his broad view of educational and psychiatric transformations during the ’50s and ’60s is provocative, some may feel he strays too far from his purported target, the enigmatic, murderous Kaczynski.
Worthy examination of our “smartest” serial killer.Pub Date: March 1, 2003
ISBN: 0-393-02002-9
Page Count: 416
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Alston Chase
by Derf Backderf illustrated by Derf Backderf ‧ RELEASE DATE: March 1, 2012
An exemplary demonstration of the transformative possibilities of graphic narrative.
A powerful, unsettling use of the graphic medium to share a profoundly disturbing story.
If a boy is not born a monster, how does he become one? Though Backderf (Punk Rock and Trailer Parks, 2008) was once an Ohio classmate of the notorious Jeffrey Dahmer, he doesn’t try to elicit sympathy for “Jeff.” Yet he walks an emotional tightrope here, for he recognizes that someone—maybe the other kids who laughed at and with him, certainly the adults who should have recognized aberration well beyond tortured adolescence—should have done something. “To you Dahmer was a depraved fiend but to me he was a kid I sat next to in study hall and hung out with in the band room,” writes the author, whose dark narrative proceeds to show how Dahmer’s behavior degenerated from fascination with roadkill and torture of animals to repressed homosexuality and high-school alcoholism to mass murder. It also shows how he was shaken by his parents’ troubled marriage and tempestuous divorce, by his emotionally disturbed mother’s decision to move away and leave her son alone, and by the encouragement of the Jeffrey Dahmer Fan Club (with the author a charter member and ringleader) to turn the outcast into a freak show. The more that Dahmer drank to numb his life, the more oblivious adults seemed to be, letting him disappear between the cracks. “It’s my belief that Dahmer didn’t have to wind up a monster, that all those people didn’t have to die horribly, if only the adults in his life hadn’t been so inexplicably, unforgivably, incomprehensibly clueless and/or indifferent,” writes Backderf. “Once Dahmer kills, however—and I can’t stress this enough—my sympathy for him ends.”
An exemplary demonstration of the transformative possibilities of graphic narrative.Pub Date: March 1, 2012
ISBN: 978-1-4197-0216-7
Page Count: 224
Publisher: Abrams ComicArts
Review Posted Online: Dec. 17, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Derf Backderf ; illustrated by Derf Backderf
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SEEN & HEARD
by Rebecca Godfrey ‧ RELEASE DATE: Oct. 1, 2005
A tour-de-force of true crime reportage.
Godfrey reconstructs a horrific murder with a vividness found in the finest fiction, without ever sacrificing journalistic integrity.
The novel The Torn Skirt (2002) showed how well the author could capture the roiling inner life of a teenager. She brings that sensibility to bear in this account of the 1997 murder of a 14-year-old girl in British Columbia, a crime for which seven teenage girls and one boy were charged. While there’s no more over-tilled literary soil than that of the shocking murder in a small town, Godfrey manages to portray working-class View Royal in a fresh manner. The victim, Reena Virk, was a problematic kid. Rebelling against her Indian parents’ strict religiosity, she desperately mimicked the wannabe gangsta mannerisms of her female schoolmates, who repaid her idolization by ignoring her. The circumstances leading up to the murder seem completely trivial: a stolen address book, a crush on the wrong guy. But popular girls like Josephine and Kelly had created a vast, imaginary world (mostly stolen from mafia movies and hip-hop) in which they were wildly desired and feared. In this overheated milieu, reality was only a distant memory, and everything was allowed. The murder and cover-up are chilling. Godfrey parcels out details piecemeal in the words of the teens who took part or simply watched. None of them seemed to quite comprehend what was going on, why it happened or even—in a few cases—what the big deal was. The tone veers close to melodrama, but in this context it works, since the author is telling the story from the inside out, trying to approximate the relentlessly self-dramatizing world these kids inhabited. Given most readers’ preference for easily explained and neatly concluded crime narratives, Godfrey’s resolute refusal to impose false order on the chaos of a murder spawned by rumors and lies is commendable.
A tour-de-force of true crime reportage.Pub Date: Oct. 1, 2005
ISBN: 0-7432-1091-3
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2005
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by Rebecca Godfrey with Leslie Jamison
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