A creative and brisk meditation on a tech-obsessed society.
Ray (Kecia’s Secret: Revised, 2017, etc.) delivers a sci-fi novel about a murderous quest for control in the world of big business.
In the opening pages of this loose, paranoid tale, a number of businesspeople attend a meeting in New York City. Although the purpose of the gathering is vague, it’s clearly not a social event; those assembled “could care less about each other, it was all about accumulating more wealth.” Later, they come up with a plan to murder an as-yet-undiscovered lyricist and steal his or her brain. The victim, they say, must be “more than a poet, more than a rapper, with a limitless imagination,” and once the brain is in their possession, they plan to connect it to a computer for sinister purposes. Meanwhile, all over the world, people are willingly being implanted with radio-frequency identification chips—an action that the first-person omniscient narrator says will “be their doom,” although the reasons why aren’t immediately clear. What is clear, though, is that those in control seek to tighten their grip on the population through ever-evolving means. Is there any room for hope in a world that relinquishes more and more of its freedom to technology? The story waxes on a wide range of subjects, from cryogenics to police shootings to cloning, as it ruminates on current and near-future events. Along the way, this brief book maintains a free-wheeling and meandering style. The plot gets a bit thin at times, and the characters tend to be flat and underdeveloped (such as the ever-greedy businessman Jack Sloan). That said, Ray is at his best when he’s examining his story’s strangest and most conspiratorial elements. He also entertains its sci-fi concepts briefly enough that they don’t become tiresome, such as the fact that any present-day civilian can travel to outer space—as long as they have enough money. His economical style allows the book to move freely and pointedly toward his broader theme that “there seem to be no limits to the unthinkable acts that mankind conjures up.” Indeed, the story’s ending is indisputably fantastical.
A creative and brisk meditation on a tech-obsessed society.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Rise Above
Review Posted Online: May 11, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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