THE LAST VAN GOGH

Despite Richman’s talent with visual detail, nothing new about van Gogh is illuminated, and wan Marguerite never comes fully...

Another in the ever-expanding genre of possible romances between famous painters and their subjects.

The real-life van Gogh spent the last 70 days of his life, an artistically prolific period, in Auvers-sur-Oise under the care of Dr. Gachet, a homeopathic physician. Richman (Swedish Tango, 2004, etc.) re-envisions those weeks in 1890 by focusing on the doctor’s daughter, Marguerite. Approaching 21, she has spent her childhood isolated with her younger brother, who is cared for by Madame Chevalier, a “governess” who is clearly their father’s mistress. Madame’s daughter, Louise-Josephine (probably Marguerite’s half-sister), has recently joined the eccentric household. A would-be painter with a growing art collection, Dr. Gachet does not allow mixing with the townspeople. Marguerite, a gifted pianist and gardener who yearns for experience in the world, is immediately attracted to van Gogh, who seems serious and physically fragile but relatively sane. Smitten himself, he asks Dr. Gachet’s permission to paint Marguerite. He portrays her first in the garden, capturing her loneliness, then at the piano, showing her beauty. As their flirtation deepens, Marguerite also begins to forge a genuine friendship with Louise-Josephine, who regularly sneaks out to meet her local sweetheart. Soon, Marguerite is doing the same to meet Vincent. But a visit to his brother in Paris leaves van Gogh distraught. He explains that given his limited energy and funds, he cannot afford to marry, but he gives Marguerite a third portrait, hidden in their private cave: “It will always be here for you,” he promises. Dr. Gachet catches her returning and sequesters her at home. Days later, van Gogh shoots himself. When Louise-Josephine, the story’s only truly healthy character, marries and suggests that Marguerite come to Paris, Marguerite chooses to remain in Auvers-sur-Oise, to be near Vincent’s painting.

Despite Richman’s talent with visual detail, nothing new about van Gogh is illuminated, and wan Marguerite never comes fully to life.

Pub Date: Oct. 3, 2006

ISBN: 0-425-21267-X

Page Count: 320

Publisher: Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2006

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A GENTLEMAN IN MOSCOW

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: July 1, 2016

THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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