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BY A LADY

BEING THE ADVENTURES OF AN ENLIGHTENED AMERICAN IN JANE AUSTEN'S ENGLAND

Sprightly nonsense: True aficionados will despair, but fans of lighthearted mystery/romantic/historical fantasies may be...

A farcical, long-winded romp in which our heroine travels back in time to Jane Austen’s surprisingly raunchy England, where she may truly belong.

Actress and writer Elyot (The Memoirs of Helen of Troy, 2005) has played Austen on stage and uses the experience as the springboard for this bizarre homage to the English writer. Her heroine, “period geek” actress C.J. (Cassandra) Welles, has just auditioned for the part of her dreams, the role of Jane Austen in By a Lady, when she finds herself, still in costume, whisked back to early-19th-century Bath. But C.J. is penniless and soon arrested for stealing an apple. Released into the brutal care of Lady Wickham, she is quickly rescued again by Lady Dalrymple, who claims to recognize her as her niece. Cassandra, whose Georgian English seems faultless, joins the upper classes and falls for the impoverished but gentlemanly Earl of Darlington, a man who can not only claim Jane Austen as his cousin but also demonstrates skillful knowledge of the Kamasutra. Befriended by the writer and pleasured by the earl, Cassandra is a happy woman until Lady Dalrymple succumbs to a heart condition. Zipping back to the 21st century, Cassandra picks up some beta-blockers and soon her “aunt” is back in the pink. But Cassandra is pregnant and finds herself first jilted by the earl, then locked up in Bedlam, freed and subsequently killed in a riding incident. A dénouement in London supposedly explains aspects of the plot before wrapping up with a happy ending. Bending rules of sense as well as time, Elyot fools no one but appears to enjoy herself mightily, depicting Austen as a keen shopper and weaving tendrils of her characters and events into the lurching narrative.

Sprightly nonsense: True aficionados will despair, but fans of lighthearted mystery/romantic/historical fantasies may be amused.

Pub Date: March 28, 2006

ISBN: 1-4000-9799-1

Page Count: 384

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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