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BY A LADY

BEING THE ADVENTURES OF AN ENLIGHTENED AMERICAN IN JANE AUSTEN'S ENGLAND

Sprightly nonsense: True aficionados will despair, but fans of lighthearted mystery/romantic/historical fantasies may be...

A farcical, long-winded romp in which our heroine travels back in time to Jane Austen’s surprisingly raunchy England, where she may truly belong.

Actress and writer Elyot (The Memoirs of Helen of Troy, 2005) has played Austen on stage and uses the experience as the springboard for this bizarre homage to the English writer. Her heroine, “period geek” actress C.J. (Cassandra) Welles, has just auditioned for the part of her dreams, the role of Jane Austen in By a Lady, when she finds herself, still in costume, whisked back to early-19th-century Bath. But C.J. is penniless and soon arrested for stealing an apple. Released into the brutal care of Lady Wickham, she is quickly rescued again by Lady Dalrymple, who claims to recognize her as her niece. Cassandra, whose Georgian English seems faultless, joins the upper classes and falls for the impoverished but gentlemanly Earl of Darlington, a man who can not only claim Jane Austen as his cousin but also demonstrates skillful knowledge of the Kamasutra. Befriended by the writer and pleasured by the earl, Cassandra is a happy woman until Lady Dalrymple succumbs to a heart condition. Zipping back to the 21st century, Cassandra picks up some beta-blockers and soon her “aunt” is back in the pink. But Cassandra is pregnant and finds herself first jilted by the earl, then locked up in Bedlam, freed and subsequently killed in a riding incident. A dénouement in London supposedly explains aspects of the plot before wrapping up with a happy ending. Bending rules of sense as well as time, Elyot fools no one but appears to enjoy herself mightily, depicting Austen as a keen shopper and weaving tendrils of her characters and events into the lurching narrative.

Sprightly nonsense: True aficionados will despair, but fans of lighthearted mystery/romantic/historical fantasies may be amused.

Pub Date: March 28, 2006

ISBN: 1-4000-9799-1

Page Count: 384

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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