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The overly complicated mystery plays second fiddle to the sexual tango between two psychic partners.

Quick returns to 1930s California (Tightrope, 2019, etc.) with another sexy but derivative thriller.

After refusing to marry the man her wealthy parents favored, fiercely independent Vivian Brazier moved from San Francisco to Adelina Beach to pursue her career as an art photographer. Her mother and sister, Lyra, who becomes engaged to Vivian’s reject, send her gifts, but her father has cut off support, so she does studio portraits and freelance photojournalism to support herself. Studying her own photos surrounding the murder of Hollywood star Clara Carstairs by the Dagger Killer leads her to believe the perp is a photographer, and her tip to the police puts them on the right path. But a chance to sell her work at Fenella Penfield’s gallery falls through, and Vivian is stunned when she uses her sixth sense to learn that Fenella is furious over Vivian’s photos of nude men. Meantime, Nick Sundridge, who works with his dog, Rex, as a private eye, is striving to harness his strange fever dreams to help his investigations. After Vivian’s narrow escape from the Dagger Killer, Nick arrives to warn her that she’s marked for death by a hired killer. He’s an emissary for Luther Pell, who is an old wartime friend of his uncle's and who runs a nightclub in Burning Cove and has connections to the FBI and other government agencies. Nick convinces Vivian that he can protect her by posing as her assistant while trying to find the killer whose coded journal of poems contains the names of his victims and the methods he’s used to kill them. Escaping when the killer tries to burn them alive, Nick and Vivian (and Rex) move to the Burning Cove Hotel, where they set a trap for their quarry while the flame of their attraction burns brighter.

The overly complicated mystery plays second fiddle to the sexual tango between two psychic partners.

Pub Date: May 5, 2020

ISBN: 978-1-9848-0684-0

Page Count: 304

Publisher: Berkley

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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