A rousing story of love and sacrifice.
Kibbie’s (Rustle, 2017) novel follows a British gay couple who explore their pasts to make peace with their present.
In London, small-business accountant James Wilde and his partner, Arthur Pensinger, a construction worker, are in love but fear for their safety daily. They tell no one of their union; they’re simply “two lads sharing the rent” to the outside world, because “if anyone knew the truth, they would go to jail.” The men acquire their first television, truly a luxury item, in order to witness British history in motion as Queen Elizabeth II is crowned. The men soon learn of the heartbreaking death of their close friend Harold Marlin, the butler to wealthy Baroness Lady Barlow who’d cared for them as children, many years prior. James and Arthur evacuated London to avoid the Nazi bombings during World War II, and they were taken in at the baroness’s Willowind House. Harold’s dying wish spurs James and Arthur to travel to Scotland to investigate whether the now-deceased baroness’s suicidal son Matthew is still alive. With eccentric, hard-drinking landlady Viola Wylit and Harold’s grandson, Lance, along for the ride, the men begin digging into Matthew’s past. Over the course of this historical novel, Kibbie displays a talent for characterization, and he also exhibits a firm grasp of British conversational style as well as common colloquialisms, which add an air of authenticity to an already engrossing story. Even more enticing are the flashbacks that reveal details of James’ and Arthur’s childhoods. A sense of suspense and mystery propel the narrative forward, which eventually results in surprising confessions and an emotional reunion. Overall, it’s an ambitious, dynamic debut.
A rousing story of love and sacrifice.Pub Date: Nov. 15, 2019
ISBN: 978-1-947041-32-5
Page Count: 276
Publisher: Running Wild Press
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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