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THE DEVIL THAT DANCED ON THE WATER

A DAUGHTER’S QUEST

A searing indictment of African tyranny mingled with bittersweet childhood memories.

London-based broadcaster Forna somberly chronicles her search for the truth about her father’s 1974 arrest and subsequent hanging in Sierra Leone.

Mohamed Forna was the first of his family, a regionally powerful clan, to attend university. He studied medicine at St. Andrew’s in Scotland and in the 1960s went back to Sierra Leone with his young white wife. Their daughter begins her story with a description of the first ten years of her own life, leading up to the day she last saw her father, accused of carrying out a bombing attack on a government minister. Forna recalls that her parents were initially happy together during the years he ran a small clinic and hospital he had founded in a rural area to help his people. But her father’s increasing involvement in politics led to estrangement, the couple separated, and her mother took the children briefly to Scotland. They returned when Mohammed was appointed Finance Minister, but the marriage continued to unravel, as did the country. Forna affectingly but dispassionately details Sierra Leone’s long, bloody spiral—still ongoing—into chaos. Her father was removed from office. Corrupt dictators ended democratic rule, destroyed the economy, and ruthlessly punished opponents like Mohammed Forna, who believed in democracy. His daughter also describes her encounters with racism as a child at English schools, her mother’s remarriage and disappearance from their lives, and her relations with Mohammed’s new wife, who had to protect his children as well as try to save his life. Returning to Sierra Leone in the early ’90s was not easy; Forna’s investigation into her father’s death revealed unrepentant complicity and lying that said much about the current state of politics in a country that has wantonly destroyed its future.

A searing indictment of African tyranny mingled with bittersweet childhood memories.

Pub Date: Jan. 1, 2003

ISBN: 0-87113-865-4

Page Count: 416

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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