A slyly satiric walking tour through the closing years of Israel's first half-century—as refracted through the mind of an ineffectual, quirky dreamer constitutionally beset by the most mundane details of his daily routine. Efraim Nisan is a middle-aged functionary who nightly records the jarring, revelatory dreams that alternate with a waking life scarcely less dreamlike in its episodic inconclusiveness. Fima has disappointed his father Baruch Nomberg, a right-wing cosmetics manufacturer, by settling for a job as receptionist at a gynecological clinic, and disappointed his ex-wife Yael Levin, an aeronautical researcher, by letting her walk away from their marriage and into the arms of supercilious American Ted Tobias. Fima keeps disappointing himself too on a daily basis. Fascinated by charismatic Uri Gefen, he settles for sleeping with his wife, Nina, who ends each dutiful bout of lovemaking by scrubbing herself, then scrubbing the toilet and sink as well. Drawn to clinic patient Annette Tadmor, he forces himself to listen over coffee and vodka to her litany of marital complaints, only to find that he's equally chagrined whether or not they end up in bed. Fima can't even kill a cockroach without being forestalled by its reflection of the vilified Jewish people. Drifting through the streets of Jerusalem convening his own imaginary cabinet meetings to solve the nation's political and moral problems, he's most satisfied only when he's playing with Dimi Tobias, Yael's ten-year-old son. All Fima's dissatisfied longings come to a head in a magical, climactic epiphany on a Friday afternoon ramble through Jerusalem and its sequel, which shows Fima finally coming to terms with his status as a present-day Wandering Jew. Deeply, sweetly comic in the manner of Gogol. Essayist and novelist Oz (To Know a Woman, 1991, etc.) has never focused such large matters so adroitly on such a delicate fulcrum—or created a more endearing hero.
Pub Date: Oct. 1, 1993
ISBN: 0-15-189851-0
Page Count: 320
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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