Satisfyingly twisty, highly educational, and lots of fun.
An old-fashioned detective novel set in 1940s San Francisco, with an injection of contemporary concerns.
In her fiction debut, Chua, best known for Battle Hymn of the Tiger Mother (2011) and several books about immigration and politics, pays tribute to the mystery novels she loved growing up, incorporating extensive research on topics ranging from the architecture of San Francisco to the Chinese Exclusion Act to the biographies of Wendell Willkie and Madame Chiang Kai-shek. When presidential hopeful Walter Wilkinson is found shot dead with his pants down in his room at the Claremont Hotel, the prime suspects are three young women: Isabella Stafford and her cousins, Nicole and Cassie Bainbridge. Unfortunately, the Mexican housekeeper who saw one of them coming out of Wilkinson’s room can’t tell one blond white girl from another. On the case is hard-boiled homicide detective Al Sullivan, originally Alejo Gutiérrez, a member of the Berkeley police force who is half Mexican, half Nebraskan, and part Jewish on his Mexican side, who's been passing as white for many years. Among the many complications he faces in his investigation is the fact that Isabella’s 7-year-old sister, Iris, died at the Claremont 10 years earlier under circumstances that remain unclear. The novel opens with the deposition of the girls’ grandmother, Genevieve Bainbridge, who controls the fortune to which they are heir. She’s been told that if she doesn’t give up the killer, all three will take the rap—and while she won’t do that, she has plenty to reveal, and her testimony is parceled out in sections throughout the book. The many threads of the plot as well as the author's concerns about race, class, and other matters come together in the cleverly imagined character and voice of her detective.
Satisfyingly twisty, highly educational, and lots of fun.Pub Date: Sept. 19, 2023
ISBN: 9781250903600
Page Count: 384
Publisher: Minotaur
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
A novel that’s lacking both as fiction and history.
The latest Patterson co-write dramatizes unproven rumors that Adolf Hitler shot and killed his 23-year-old half niece, Geli Raubal, in Munich in 1931 in a fit of jealousy.
As with other young women in his past, Hitler essentially kept Raubal captive and forced her to participate in perverse sexual rituals with him. The murder occurs after she tells him she’s leaving Munich for Vienna to be with a man she intends to marry. (Fictional) police detective Thomas Bauer, a war hero whose wife and children are Jewish, risks his life over and over to nail Hitler for the crime (which is ruled a suicide) as the fascist state evolves and concentration camp horrors unfold. Periodically, the action shifts to the present, when in brief superfluous scenes an American professor, Eleanor Robbins, is mysteriously targeted for her efforts to obtain films of Hitler’s final moments with Raubal. The portrayal of Hitler is so caricatured that he casts a thin shadow here—as do the evil trio of Goebbels, Himmler, and Göring—depriving the story of urgency. The authors are more comfortable offsetting sobering, dutifully rolled out facts about Hitler’s rise and fall with breezy entertainment. Bauer, a master of the wisecrack, teams up with a young former intelligence officer in buddy-movie fashion. In one of this overlong novel’s best scenes, Raubal—the subject of much better novels, including Ron Hansen’s Hitler’s Niece (1999)—goes to a nightclub with Hitler; once there, he nudges her into showing off her vocal skills, only to have her ruffle his insecurities by stealing attention. In the end, Robbins pronounces, “Everything that happened…could have been prevented, if honest people had been allowed to simply do their jobs.” Fat chance of that.
A novel that’s lacking both as fiction and history.Pub Date: Sept. 21, 2026
ISBN: 9780316404099
Page Count: 528
Publisher: Little, Brown
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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