by Amy Ephron ‧ RELEASE DATE: Sept. 6, 2011
These bagatelles offer glittering diversion but little of lasting worth.
Sex and the City meets Erma Bombeck in this gossamer gathering of recollections from novelist Ephron (One Sunday Morning, 2005, etc.).
True to its title, the book flaunts the glimmers of memory that the author haphazardly crafts into vignettes detailing her bohemian-chic adventures in Los Angeles and New York—with an emphasis on the chic. Starting off as a wild child in the 1970s, she recounts swilling champagne with glamorous friends, buying couture from Saks Fifth Avenue and interviewing Manson Family member Squeaky Fromme at the Spahn Ranch. Ephron’s most entertaining anecdotes date from this era, as she name-drops celebrity friends and shines a light on the inner workings of the National Lampoon during its heady countercultural years. Less sparkling are her attempts to frame her contemporary life with her second husband and five children as a Beverly Hills version of Cheaper by the Dozen. Readers may find it difficult to conjure much empathy for a woman who disparages Elizabeth Taylor’s gigantic diamond ring as extravagant, but laments the theft of her own baubles fashioned by the likes of Tiffany, Cartier and Elsa Peretti. This theft, one of several that hit the Los Angeles area, understandably shook up the author, and the event functions as a sort of connecting thread for the collection. However, even when commenting on the serial burglar’s habit of creating a different persona for each house, she fails to delve further. Accounts of the hostile mothers at her son’s private school similarly fail to engage. While Ephron has enough of a sense of humor to keep these pieces from completely lacking in self-awareness, her writing too often skims the surface, even for comic musings. Likewise, the more somber essays addressing her mother’s depression and Ephron’s own experience with date rape are meandering and unfocused.
These bagatelles offer glittering diversion but little of lasting worth.Pub Date: Sept. 6, 2011
ISBN: 978-0-06-195874-8
Page Count: 176
Publisher: Morrow/HarperCollins
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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