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LONG MAN

A smart and moody historical novel that evokes the best widescreen Southern literature.

Crises abound in a small Tennessee town in 1936, just days before a dam is set to flood it.

The Tennessee Valley Authority was designed to help modernize the state during the Great Depression, bringing electricity to its rural regions. But the TVA only spells destruction for the Eastern Tennessee town of Yuneetah, and Greene’s excellent second novel (Bloodroot, 2010) focuses on the holdouts there who haven’t yet left or who refuse to leave. Chief among them are husband and wife James and Annie Clyde, who’d been arguing over a move to bustling Michigan but who shift their energies once their 3-year-old daughter, Gracie, goes missing. The lead suspect in her disappearance is Amos, a one-eyed Yuneetah native who’s spent much of his life as a drifter connected to violent protests against government projects like the TVA. Greene repeatedly likens Amos to a force of nature, like the Long Man River that runs through the dying town, and the novel thoughtfully touches on the question of how much place shapes our personalities. If there is a way to write about this milieu—Southern, prewar, thick with family and history—without evoking William Faulkner, Greene hasn’t pursued it. But her long paragraphs, sinuous and tonally mythic, aren’t slavish Faulkner imitations either, and Gracie’s disappearance, alongside Amos’ cat-and-mouse game with authorities, gives the novel a welcome propulsion. (The fates of both characters, once revealed, are harrowing, riveting reading.) Two older sisters in town provide windows into the folkways about to be submerged, while a local police officer and TVA functionary represent the transformations to come, but Greene’s imagination is too fecund to make these characters mere symbols. Her novel fully inhabits the contradictions within each character and the ironies inherent in destroying a place in the name of progress.

A smart and moody historical novel that evokes the best widescreen Southern literature.

Pub Date: Feb. 25, 2014

ISBN: 978-0-307-59343-6

Page Count: 272

Publisher: Knopf

Review Posted Online: Dec. 6, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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