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BARR NONE

THE RIVERSEDGE LAW CLUB SERIES

A legal yarn with an ungainly structure that’s rescued by punchy prose.

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Three attorneys get involved in a dangerous plot involving sex work in this series mystery.

Impellizzeri’s tale centers on Tricia Connors, a starry-eyed young associate at the Manhattan firm of Barr Knoll, run by its charismatic, egotistical founder of the same name. Instead of the great opportunities Barr promised, she finds herself relegated to menial tasks along with her roommates, Cassandra and Ruth. Tricia is taken in hand and given a style makeover by a woman known only as the Times Square Madam, who inhabits the firm’s top-floor office. She has Tricia rope Cassandra and Ruth into an immigration scam in which the trio pretend to be engaged to three of the firm’s foreign clients to help them score visas. Subsequent assignments involve explicitly sexual “client development” tasks; Cassandra and Ruth resist, but Tricia goes along while angling to become the new madam. In a plotline set in a post-Covid present, Barr Knoll associate Carly Jenner stumbles across files pertaining to deaths in a suspicious car crash 10 years earlier. Carly’s colleague Rain Street believes the victims were murdered and prods Carly to investigate; meanwhile, Carly is fighting on behalf of a group of women in a workplace sex-discrimination lawsuit. This second installment of Impellizzeri’s Riversedge Law Club series paints a mordant picture of low-level lawyering with a feminist edge. Her characters are overworked, underpaid, and perpetually exploited and demeaned by creepy patriarchs. The braided subplots feel unfocused and overcomplicated at times, and the story sometimes spins its wheels as Tricia and Carly ruminate on their unhappy lives. Fortunately, Impellizzeri’s prose is shrewd and evocative (“Rain has a way of drawing people out. Like she already knows your secrets. Like you’re just confirming and not confessing”), and the courtroom jousting is lively and well paced: “Barr, you haven’t changed a bit from the days I was working for you and watching you pimp out women as whores to international real estate tycoons,” testifies one implacable witness on the stand.

A legal yarn with an ungainly structure that’s rescued by punchy prose.

Pub Date: March 7, 2023

ISBN: 9781954332485

Page Count: 262

Publisher: Wyatt-MacKenzie Publishing

Review Posted Online: Dec. 14, 2022

Kirkus Reviews Issue: Feb. 1, 2023

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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