A novel of grief, love, and truth that offers insights about a family and a satisfying resolution.

Secrets of Worry Dolls

A daughter comes to terms with family secrets as she deals with the effects of two tragedies from New York’s recent history.

In this novel, Impellizzeri (Lawyer Interrupted, 2016, etc.) follows two parallel narratives, those of Lu Roselli, dealing with the aftermath of a disaster and unraveling family mysteries, and her mother, Mari Guarez Roselli, a Guatemalan immigrant thinking back over her life while trapped in a coma. In 2012, Lu, ambivalent about a planned trip to her mother’s homeland, misses her flight, which crashes into her Queens neighborhood shortly after takeoff, leaving Mari injured and unconscious. Lu deals with her survivor’s guilt—an emotion she has lived with for more than a decade after her father and twin sister died on 9/11—while waiting to see if Mari will recover. Lu makes plans for the baby she did not know that her mother was carrying and sorts through the growing riddles of her family history and her complicated mother-daughter relationship. As Lu’s narrative progresses, the chapters alternate with those told from Mari’s perspective, flashbacks to her experiences in Guatemala and New York that serve to answer the questions Lu raises. Lu eventually travels to Guatemala, where she meets the nun who tells her the story Mari is revealing to the reader and also meets a man who becomes the first friend she has made in years. Impellizzeri draws on Guatemalan traditions to develop the book’s recurring motifs, particularly the practice of sharing worries with tiny dolls and the Mayan calendar projection that the end of the world will occur in December 2012, demonstrating a solid knowledge of the country’s history and culture. Thanks to Mari’s narration, the reader ends up with a more complete picture of the Roselli family than Lu does, an unusual choice but one that makes for an emotionally rewarding conclusion. The prose is serviceable, and the plot, though driven by complex layers of feelings and relationships, is fast-paced and not unnecessarily complicated.

A novel of grief, love, and truth that offers insights about a family and a satisfying resolution.

Pub Date: Dec. 1, 2016

ISBN: 978-1-942545-65-1

Page Count: 312

Publisher: Wyatt-MacKenzie Publishing

Review Posted Online: Aug. 31, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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