In Impellizzeri’s debut novel, a history professor chooses between free-spiritedness and stability.
Kate, a mother and history teacher, contends daily with a decision made in her youth. The story skips through the decades of her life, revolving around a romantic compromise. While completing her master’s and working as a waitress, a young vivacious woman, Benton, takes notice of Kate, and Benton’s friend Ian can’t help but do the same. Although Benton knows of Ian’s infatuation with Kate, as the women become friends, she decides Kate would prefer her friend Rob. Kate goes on a date with Rob, but things quickly fizzle. Ian swoops in, and the two become inseparable, until he leaves on assignment. Kate—uneasy with his uprooted lifestyle and unsure of her feelings—loses hope for their relationship, despite Ian’s assurances. Rob re-enters her life, and following a miscarriage, the two decide to get married. Their marriage suffers more blows: job instability, adultery. When Kate feels as if she’s lost control, she receives an invitation from Benton for a “heartbreak cruise.” Relieved to spend a week with other scorned women, Kate finds that Ian is also attending the holiday, and she realizes this may be her second shot at love. Kate’s story speaks to the ways optimism and pessimism may affect choices. Rob condemns her for pessimistic attitude, while Ian will always cherish her as a “true optimist.” The way in which Kate grapples with their opinions of her reveals her own self-perception; she is often insecure, questioning her parenting and professionalism. The nonlinear structure makes her story unique; it switches from her days as a student to her experience as a newlywed to her failing marriage to her chance for redemption with Ian. The complex decisions at each turn build reader interest and investment in the characters.
A layered, bittersweet romance that questions consequences and explores second chances.
Pub Date: Oct. 8, 2014
ISBN: 978-1-939288-53-0
Page Count: 304
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: July 7, 2014
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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A strange, subtle, and haunting novel.
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A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.
How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.
A strange, subtle, and haunting novel.Pub Date: March 24, 2020
ISBN: 978-0-525-52114-3
Page Count: 320
Publisher: Knopf
Review Posted Online: Nov. 25, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Categories: LITERARY FICTION | GENERAL FICTION
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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Categories: GENERAL FICTION
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