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A MOUTHFUL OF AIR

A true and often moving portrait of someone in the grip of a terrible disease but, still, far too self-contained to succeed...

First novel about a young woman’s struggle with postpartum depression.

The problem with stories about depression is that, even with happy endings, they are almost invariably as enervating as the disease itself. Julie Davis, our heroine, is a bright and sensitive New Yorker, happily married to Ethan (a successful lawyer) and the mother of a baby boy. Although Julie genuinely loves her son and husband, she sank into a terrible melancholy after giving birth and tried to kill herself. She slowly began to put her life in some order afterward with the help of Ethan and Dr. Edelman, a psychiatrist who was able to prescribe antidepressants. Naturally, Julie wondered how much of her problem was rooted in her past, and she began to consider the effect that her parents’ unhappy marriage and divorce had on her (as well as on her druggy brother David, a college dropout who now lives in the East Village). Just as Julie seemed on the verge of full recovery, however, she learned that she was pregnant again. This is good news and bad: Julie and Ethan both want another child, but it means that Julie will have to go off her meds until delivery. Will she be able to manage? She also has to adjust to life outside the city, since Ethan has bought a house in Long Island in anticipation of their new arrival. Anyone who has suffered from depression will recognize the distant, almost ethereal rhythm of Julie’s days—the constant rumination on the past, the lack of emotional response to the world around her, the sudden and inexplicable panics—but those who have not may find her story flat and largely uneventful.

A true and often moving portrait of someone in the grip of a terrible disease but, still, far too self-contained to succeed as a narrative.

Pub Date: April 23, 2003

ISBN: 1-931561-30-3

Page Count: 212

Publisher: MacAdam/Cage

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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