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THE TRANSCRIPTIONIST

An appealing attempt to wed the weird and everyday in a newsroom setting—it’s a cousin to Renata Adler’s Speedboat...

A blind woman’s suicide prompts a newspaper staffer to rethink journalism in particular—and the nature of existence in general.

Rowland’s debut novel centers on Lena, an employee at major New York daily the Record, where she transcribes interview tapes and takes reporting calls from foreign correspondents. It’s a dying job in a dying industry, and Rowland emphasizes the strangeness of the gig and Lena’s own isolation within it. (Conspicuous references to Beckett, O’Connor and Calvino bolster the out-of-the-mainstream mood.) A story about a woman who broke into the lions’ den at the Bronx Zoo and was promptly killed sparks Lena’s sorrow and curiosity (they had a brief encounter), and the novel turns on her effort to learn more about the woman’s life than simple journalism will deliver. Rowland deliberately presents the profession in a fun-house mirror: Staffers are given emergency “escape hoods” instead of bonuses thanks to post-9/11 anxiety; an aging staffer spends days musing over the obituary archives; and the publisher’s pronouncements are pompous even by CEO standards. In stuffing this milieu with bits of mystery, romance and aphoristic riffs on listening and silence, Rowland has taken on a bit too much; the novel’s tone unsteadily shifts from the bluntly realistic to the fuzzily philosophical. Even so, individual scenes and characters are very well-turned: Lena’s visit to a potter’s field where the mauled woman is buried, a conversation with the security guard at the lions’ den, the preening investigative reporter who makes a major error about weapons of mass destruction in Iraq. Rowland has a talent for making the real world just a touch more Day-Glo and off center, but Lena’s own concerns about listening and being get short shrift in the process.

An appealing attempt to wed the weird and everyday in a newsroom setting—it’s a cousin to Renata Adler’s Speedboat (1976)—that never quite finds solid footing.

Pub Date: May 13, 2014

ISBN: 978-1-61620-254-5

Page Count: 256

Publisher: Algonquin

Review Posted Online: Feb. 5, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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