Lively and admirable female characters emboldened by their circumstances, impeccably realized and given new life by Stewart.

MISS KOPP'S MIDNIGHT CONFESSIONS

From the Kopp Sisters series , Vol. 3

With a growing number of young women being arrested on morality charges, and no one to defend them, it’s up to Under Sheriff Constance Kopp—based on a real-life female deputy—to ask the tough questions.

In 1916 Bergen County, New Jersey, the papers are still aflutter over the recently hired Under Sheriff in charge of the women's section at the Hackensack jail (Lady Cop Makes Trouble, 2016, etc.). So much so that Constance is receiving a steady stream of marriage proposals, which her sister Norma answers with steely reserve and a welcome hint of sarcasm. People can’t take in her new badge without commenting, so imagine the attention Constance draws when she goes beyond the call of duty to help 18-year-old Edna Heustis, recently arrested on a charge of waywardness filed by her own mother when she left home to work at a factory making parts for the war. Detective John Courter, representing the prosecutor's office, insists that the girl be sent to a reformatory until she's 21, but luckily for Constance, his single-mindedness leaves him unprepared for her defense of Edna's good character, which she proves in front of a judge after having conducted her own investigation. But there are more girls where Edna came from, including Minnie Davis, who may be harder to prove innocent. Through Constance’s diligent investigative work, Stewart details each girl's back story while powerfully representing her longing for the opportunity to lead a purposeful life. Constance's own beliefs come into question, though, when her younger sister, Fleurette—secretly her illegitimate daughter—desires a life on stage and secures a chance to impress Broadway actress May Ward. Constance’s ability to hold her own in male-dominated investigations and courtrooms, as well as her determination to present the facts, makes her a welcome “vision of an entirely different kind of woman,” hopefully with more tales to come.

Lively and admirable female characters emboldened by their circumstances, impeccably realized and given new life by Stewart.

Pub Date: Sept. 5, 2017

ISBN: 978-0-544-40999-6

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 4, 2017

Kirkus Reviews Issue: July 15, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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