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SHIRLEY CHISHOLM

CHAMPION OF BLACK FEMINIST POWER POLITICS

A model political biography that all modern activists should read.

A well-rounded portrait of the late politician, who, half a century ago, helped set the tone for contemporary Black and feminist politics.

The child of Black Caribbean immigrants—“her very person,” writes historian Curwood, “was at the intersection of race, gender, ethnic, and class identities”—Shirley Chisholm (1924-2005) decided early in life on a career in politics. She first attained influence in New York and then captured a formerly gerrymandered district in Brooklyn to enter the House of Representatives. There, she served for seven terms, where she defended issues of interest not just to her constituency, but also to an increasingly restive national community. She was prescient in many ways. Early on, writes the author, she worked to diversify the Democratic Party, pressing for a Black vice presidential candidate, a Native American secretary of the interior, and so forth—a vision realized only with the Biden administration half a century later. Chisholm fought what she considered the restrictiveness of terms such as women’s liberation and Black Power, which “created reactivity and a lack of critical thinking about how the movements could connect, especially through and among Black women”—again, a vision realized in the Black Lives Matter movement and with the rise of successors such as Stacey Abrams. Curwood deftly reveals Chisholm’s complexities and sometimes secretive nature as well as her tenacity in political struggles with Richard Nixon, who finally gave in to her campaign for raising the federal minimum wage in 1974; and Jimmy Carter, whom she faulted for calving off a separate Department of Education from the former Health, Education, and Welfare. As to welfare reform, Chisholm decried efforts to do away with federal aid to the needy even as she viewed welfare itself as “a symptom and direct cost of the corrosive effects of racism and sexism.” With the growth of reactionary conservatism in the Reagan years, Chisholm left institutional politics—but by no means political work.

A model political biography that all modern activists should read.

Pub Date: Jan. 10, 2023

ISBN: 9781469671178

Page Count: 496

Publisher: Univ. of North Carolina

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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