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A RED BOYHOOD

GROWING UP UNDER STALIN

Uneven, but full of engaging details about a tumultuous period in world history.

A boy’s-eye view of life during wartime—first the Soviet Union’s vicious internal struggles under Stalin and then its horrific ordeal after the Germans invaded in 1941.

Konstantin begins his memoir in dramatic fashion, recalling the night of April 17, 1938, when his father was taken away by the Soviet secret police and never seen again in their little town in the Ukraine. The early passages of the book do a fine job of explaining the climate in which such an incident could occur; Konstantin describes an Orwellian regime full of furtive police activities, mysterious disappearances and a terrorized populace. What makes Konstantin’s recollections so captivating is his ability to effectively divide the text between small details vividly rendered, such as a trip to the movie theater, and the larger story of a global political and military struggle. Despite the upheavals that roiled his childhood, the author somehow managed to get a decent education; he refers frequently to inspirational teachers and to devouring books ranging from The Grapes of Wrath to Das Kapital. But these moments of enlightenment in Konstantin’s young life were tempered by the unbearable wartime conditions; often, as he left school for the day, he saw corpses piled high on wagons to be carted away. His mother married a Polish refugee in 1944, and they were able to return with him to Poland in 1945, happy to escape the “cursed” Soviet Union. But the Soviets soon consolidated their grip on Poland, and the family fled west, finally winding up in a UN refugee camp in Germany. As a displaced person, Konstantin qualified for free tuition at a local university, and after three more years of struggle was finally able to emigrate to “the land of my dreams”—America.

Uneven, but full of engaging details about a tumultuous period in world history.

Pub Date: May 1, 2008

ISBN: 978-0-8262-1787-5

Page Count: 264

Publisher: Univ. of Missouri

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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