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KATHERINE

From the author of last year's Red Azalea—a highly praised memoir of growing up during the Cultural Revolution—comes a bittersweet story as much about love as about the malignant legacy of Maoist China. Twenty-nine-year-old Zebra Wong begins her story in 1982, ``a year depression swam through the veins of the nation.'' The Cultural Revolution is over, Mao is dead, and China is slowly changing, but individual lives are still subject to bureaucratic whim and control. Zebra and her classmates, temporarily excused from regular factory work, are attending a special work-study English program in Shanghai, Zebra's hometown. Like Zebra, her fellow students had worshipped Mao, spent their adolescence learning his teachings, and then worked in remote agricultural regions during the 1970's. Now ``former'' revolutionaries, they bitterly realize that ``our youth had faded without a trace...[as] we learned to distrust...acted like heartless robots, our souls wrapped in darkness.'' But Katherine, a young American in Shanghai to teach English while she completes her dissertation, soon changes their attitudes and their lives with her gaiety and openness- -changes that will eventually harm both herself and her students because, as she's warned, ``no one tells the truth here. You have to figure out where to find the truth.'' Zebra, who'd been raped by the local party chief while performing forced labor in the countryside, is instantly fascinated by Katherine's beauty and stories of American life. And though Zebra has a loveless affair with a fellow student, who will cynically marry an official's daughter to get a scholarship to go abroad, she finds herself increasingly in love with Katherine. Eventually, though, Katherine's incautious spontaneity, her political naãvetÇ, and others' jealous betrayals lead to her deportation—as well as to a harsh penalty for Zebra ended only by changing politics and some loyal friends end. Lyrical prose with a distinct Chinese flavor makes Min's first novel—and its times—even more poignant and resonant.

Pub Date: May 1, 1995

ISBN: 1-57322-005-1

Page Count: 256

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1995

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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