A heartfelt and often eyebrow-raising memoir perfect for armchair fashionistas or high-fashion insiders.



The inimitable fashion veteran shares the scandals and name-dropping details of his sartorial career.

Readers of Talley’s debut memoir, A.L.T. (2003), will recognize the details of his Southern childhood and his grandmother’s significant influence. Moving further forward in this volume, he delves into his later years and dishes the dirt on his many years at Vogue. In a conversational and earnest voice, the author chronicles his defining years learning under Diana Vreeland, who got him into “all the right parties,” and his time at Interview magazine with an accommodating Andy Warhol. From there, Talley ascended to positions at Women’s Wear Daily and Vogue, his “dream job,” where he would spend decades weathering a “series of voyages” within a tumultuous business (and personal) relationship with the demanding and mercurial Anna Wintour. Other relationships were similarly tumultuous and unpredictable, including his four-decade friendship with Karl Lagerfeld, which instantly and cruelly dissolved when Lagerfeld simply “cut [Talley] out of his life.” The author’s writing becomes more animated when he describes more personal details—e.g., his coming-of-age on the New York party circuit in the halcyon late 1970s, when “everyone was high on coke and cock”; or his vulnerability regarding his weight and self-worth. Talley too-fleetingly addresses the sobering reality of the “subtle, casual jabs” of racism that he has experienced throughout his career. He does note how many editors with whom he worked failed to understand his perspective as a black professional in a predominantly white field or appreciate the cultural significance of events such as Beyoncé’s gracing the cover of Vogue in 2018. Though the text brims with gossipy anecdotes, Talley mixes the serious and the saucy with equal heft. Though his legacy speaks for itself, this balanced, entertaining memoir is dramatic proof in print.

A heartfelt and often eyebrow-raising memoir perfect for armchair fashionistas or high-fashion insiders. (8-page full-color insert; b/w photos throughout)

Pub Date: Sept. 8, 2020

ISBN: 978-0-593-12925-8

Page Count: 304

Publisher: Ballantine

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.


A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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