A slow-burn thriller that gradually suffocates both the protagonist and the reader—in a good way.
A backpacking trip gone awry tests the relationship of two best friends.
Emily and Kristen, now almost 30, have been close since college, and as neither are close with their families, they’re more like sisters than friends. Now it's time for their yearly trip to somewhere adventurous and off the beaten path, trips that have become even more important since Kristen moved to Australia for work a few years ago. Last year's trip was a disaster, though, ending when Kristen killed a man who'd been sexually assaulting Emily; now, on the last night of their trip to Chile, Emily finds Kristen standing over the body of the cute guy she'd brought back to their room, saying he'd been rough with her. Taken aback by the similarities to what had happened the year before, Emily helps her friend cover it up and heads back to Wisconsin, unsure how to deal with her newly reignited trauma. Just when she thinks she’s ready to move on with her new boyfriend and therapist, Kristen appears on her doorstep as if nothing has happened. Bartz's latest thriller is full of twists and turns as Emily discovers new things about the friend she thought she knew so well. The dread creeps up slowly on both Emily and the reader as more and more comes to light and the truth slowly reveals itself. Up to the unexpected climax and beyond, Bartz’s writing will keep readers on their toes, questioning everything and looking for hidden meanings in every communication between Emily and Kristen. While the last 10 pages or so may not quite live up to those that precede it, the overall plot is exhilarating.
A slow-burn thriller that gradually suffocates both the protagonist and the reader—in a good way.Pub Date: July 13, 2021
ISBN: 978-1-984820-46-4
Page Count: 320
Publisher: Ballantine
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
SEEN & HEARD
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
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