Gwen’s inferiority complex sets up a barrier to reader sympathy, in a tale at times delightfully intractable, though by end...
Cantankerous narrative of a girl in the logging country of the Pacific Northwest who chooses a tough way to deal with the death of her mother.
Gwen’s mother Althea was Columbia’s hairdresser, not well respected after setting aside her musical talent many years before for love of a transient Mexican, Gustavo Perez, who got her pregnant, then left town. His companion, Edgar Fuentes, however, stayed on, and Gwen, the product of her mother’s hapless love match, now 16, has had an affair with the older Edgar and finds herself pregnant—several months after her mother has died in a driving accident. Gwen works at a stable owned by the richest lady in town, Miz Hundy, and she now lives with Miz Hundy’s sister, the kindly and unmarried Mrs. Parker, who has also taken under her wing the recuperating “Leukemia Girl,” Lila Abernathy, in remission after chemotherapy in Portland and now trying to finish high-school in Columbia. Gwen and Lila dislike each other immensely: no-nonsense Gwen perceives Lila as a prettified social climber, while Lila is concerned only with avoiding germs and resurrecting her ballet career. The story is really the portrayal of an attempt at reconciliation—between these two young women of different social classes brought together through hardship, and between the girls and their town’s recognition of their rich individual talents. Second-novelist Koenig (Thumbelina, 1999) writes in Gwen’s hardy vernacular: the teenager is keenly aware of gossip about her mother and her, and is inured to it, yet she lacks the self-confidence to admit any emotional helpers, like the life-by-hard-knocks Miz Hundy; or the hunk at the hatchery, Dennis Bly, who fancies Gwen’s freewheeling ways; or even the dejected Edgar Fuentes, who truly loves her.
Gwen’s inferiority complex sets up a barrier to reader sympathy, in a tale at times delightfully intractable, though by end a hard nut to crack.Pub Date: May 1, 2005
ISBN: 1-56947-391-9
Page Count: 272
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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