Counting down to 2000 a.d. may be a bit less tense, thanks to this enjoyably goofy melodrama from NPR commentator, essayist, and novelist (The Blood Countess, 1995). In alternating chapters, Codrescu recounts the adventures of two unlikely heroines who, together, may save the planet from annihilation. There’s Felicity LeJeune, a beauteous Creole p.i. based in New Orleans, who’s on a personal crusade against the evangelist who talked her senile grandmother out of pocketing her lottery winnings. Felicity’s attempts to shake down the oily Reverend Mullen are aided in surreptitious ways by her old friend and surrogate father, Major Notz (a figure straight out of Dr. Strangelove). Meanwhile, at a Jerusalem hospice, teenaged Andrea Isbik, another beauty but of indistinct ethnic origin, seduces her protector nuns as well as a polyglot group of religious leaders uneasily awaiting the millennium and heads for the Big Easy just as the 1900s breathe their last. The several plots in which each gets enmeshed defy summary, but they embrace such charming oddities as the search for the fabled “Language Crystal” (whereby the globe’s scattered millions might communicate), the Internet as a venue for the transmigration of souls, “leather jacketed, pierced people . . . [called] neotribals” who are seeking a messiah, and the Israeli version of TV’s Wheel of Fortune. Prominent among this manic story’s many characters are a meddlesome angel named Zack, a macho cop obsessed with Felicity, and the “incarnated” spirits of scientist Nikolai Tesla and Roman poet Ovid. Great Minds, nefarious villains, and the crucial figures of Felicity and Andrea (“Together, they were a new being”) eventually meet up in the New Jerusalem: New Orleans, during Mardi Gras. And, well, why not? Overstuffed and gratingly whimsical but often very funny (reminiscent of Southern and Hoffenberg’s Candy, Gore Vidal’s wilder fantasies, and perhaps Edward Whittemoore’s Jerusalem Quartet). On the other hand, if you’ll believe that Vanna White may be “an emanation . . . of the Divine One,” this is the novel for you.
Pub Date: Feb. 1, 1999
ISBN: 0-684-80314-3
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1998
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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